At the show with the artist: Jeannette Montgomery Barron visits Palazzo Massimo in Rome

We met her a few weeks ago in Reggio Emilia in occasion of her solo show at the Collezione Maramotti – that has been extended until 24 September. Here below a second episode of the dialogue Conceptual Fine Arts had with her at that time. In this instance we invite the reader to pay attention the similarity between her answers and her approach to photography. Apparently their strength lies in the same truthful simplicity of the artist’ sight even on the most complex realities.

Which has been the first thing you have thought about when you stepped into Palazzo Massimo?

It’s so nice and cool in here. (It’s very hot in Rome right now!) And I love how light-filled the Palazzo is.

What have you learned about ancient Rome?

I was fascinated to learn more about the Nemi ships built by Caligula. Amazing to think that they were really floating palaces with marble and mosaic floors, heating and plumbing.

Which are you favorite pieces here preserved? Why?

I love the frescoed garden room form Villa Livia. Because it’s hard not to imagine how nice it would have been to eat meals there in the summer months.

Do you think that representing reality is easier for an artist living in the 21st century or at the time of the Roman Empire?

We have so many ways of expressing reality (or non-reality) these days.  We are all recording our lives constantly. The iPhone has changed that. That being said, I think they did a pretty excellent job of representing reality in the Roman Empire. And there’s also something wonderful about leaving some things to the imagination.

Imagine that you were living in Rome during the era of Emperor Augustus, and someone from the future gave you a camera for one day. What would you chose to photograph?

Probably everything. But I think I would be very interested in photographing people within the beautiful rooms from the important villas which have been preserved and brought to Palazzo Massimo.

Which is your recommended soundtrack for visiting Palazzo Massimo?

Music for 18 Musicians by Steve Reich.

Which would be the perfect timing?

I have visited this museum in winter and summer. I would say anytime is the perfect time to visit. But it’s important not to rush through the museum.

Have you visited it alone?

No, I visited it with my son Ben and my good friend Eglé. It was a fun thing to do together on a hot Friday afternoon in July.

November 21, 2022