The Omer Fast theory: “Everything that rises must converge” to sexby Stefano PirovanoHere is how Omer Fast wrote a seminal chapter in the relation between art and sexuality, by talking about solitude and human beings need to escape it.
Michael Portnoy, improvesby Piero BiselloWe delve into the career changes and improvements of New York based artist Michael Portnoy through his work as shoemaker and absurdist pornographer.
Isabella Stewart Gardner, Katherine Sofie Dreier, Colette Allendy, Hester Diamondby Carlo PradaAgainst the idea that art should be reduced to mere interior decoration, here is a selection of collectors who have made their collections a matter of identity.
Cecco Bravo and a 17th-century subsoil beautyby Francesca BaldassarriCecco Bravo is dramatic and mysterious, feeding on hallucinatory eccentricity to make the viewer feeling part of the scene.
Who was Jef Geys?by Dirk SnauwaertA brief overview of late Belgian artist Jef Geys, spanning key projects, approaches, methodologies, and complexities
The symbolic, erotic, and lunar asparagusby Silvia TomasiThrough Flemish painting, Manet, Max Ernst, Andreas Gursky, and Hannah Levy, we start to believe that the asparagus has feelings too.
“I’ve always done parodies of what a painting is supposed to be”by Paul LasterAshley Bickerton first retrospective show is taking place in New York. CFA interviewed the artist to understand what happened to his art during the past 30 years.
Kristof Kintera and human’s monumental smallnessby Stefano PirovanoA show at Collezione Maramotti shed some light on the fascination of Kristof Kintera for representing human individualism and foolish ambitions.
“I think art is more powerful as a poisoned Kool-Aid”: an interview with Bradford Kesslerby Piero Bisello
