The Howard Hodgkin collection of Indian court paintingsby Marta GalliHoward Hodgkin approach to collecting had nothing to do with art history. What mattered to him was how each piece affected him emotionally
On artist, psychiatrist, and collector Roman Buxbaum (and Miroslav Tichý)by Céline MathieuA portrait of Roman Buxbaum, initiator of the Tichy Ocean Foundation in Zurich and custodian of the Artists for Tichy – Tichy for Artists
Six highlights from Paris Internationale 2022by CFA (from Paris)Here are our picks from the eighth edition of Paris Internationale, one of the biggest and most ambitious yet
Brussels Gallery Weekend 2022: five top solo exhibitionsby CFA (from Brussels)Foulon, Katambayi, Walter, Zahle, Werner: our favorite exhibitions from this year's Brussels Gallery Weekend
Is it really the time to buy old masters?by Stefano PirovanoThe wisdom of collecting old masters today, explained in four compelling arguments (that we didn't already know)
Four picks from June Art Fair 2022by CFA (from Basel)What we enjoyed the most at June Art Fair, the youngest and most up-and-coming fair to populate the Art Basel week
Four picks from Liste 2022by CFA (from Basel)Four highlights from this year's edition of Liste, Basel's great historical fair for emerging artists and galleries
Three emerging favourites at Art Brussels 2022by CFA (from Brussels)Three picks from the emerging stratum of the art market, found in the first post-pandemic edition of Art Brussels
International Galleries Alliance: the benefits of joining forces for the art marketby Stefano PirovanoThe new-born International Galleries Alliance could soon become a milestone in contemporary art's evolution. Here's why
Mike Winkelmann, aka Beeple, is not Roger Federerby Stefano PirovanoMike Winkelmann aka Beeple is the first artist to sell a blockchain-based artwork at a main auction house. But it's just a jpeg file
The best six art fabricatorsby Piero BiselloHere is a list of the world's best art fabricators, showing that behind the most ambitious works there is often an exceptional technique
Marta Gnyp’s explanation of the art world todayby João G. RizekMarta Gnyp's The Shift has come to its second edition. Is the art world still a place of speculation, navel-gazing, and colossal vanity?
Digital old masters in actualityby Piero BiselloDigital old masters are a thing now more than ever, but much is still to be learned. We look at how they do it in Amsterdam
Theaters in Polesine: a trip between two riversby Antonio CarnevaleOff the beaten paths, we embark on a journey to the theaters in Polesine, a forgotten part of Italy dear to the stage gourmets.
The best six antique book dealersby Antonio CarnevaleOur selection of six best antique book dealers, spanning different locations, specializations, approaches and histories
Margaret Lee: What You See Is What You Meanby Emile RubinoThinking through Margaret Lee’s recent paintings in light of the compound visual language the artist has been developing over the past decade.
Artist-run spaces in Europe todayby Piero Bisello & Stefano PirovanoA landscape of artist-run spaces active in Europe today, testimonies from the interstice between institutions and market.
Art hotels: cultural experiences wantedby Stefano PirovanoIt's time for alternatives, not only to art fairs. We analyze art hotels as places for artistic experience beyond mere contemplation.
Giant Polaroid, innovation or preservation?by Chiara AgradiA brief history of the Giant Polaroid, the largest transportable Polaroid ever built, which put together the art of photography with art itself.
Broken intentions: on damaged contemporary artby Piero BiselloCollectors and museums worried about broken artworks should remember that artist's intentions can fix many issues, including material ones.