Painting genealogy with Gritli Faulhaberby Dara JochumIn an attempt to resist the coercion of style, Gritli Faulhaber discusses painting through painting to rethink the medium's history
Romeo Gómez López: critique of a conservatory natureby Samantha OzerWorking across media, artist Romeo Gómez López approaches culture with erotic vision and unexpected parallels
Armin Lorenz Gerold: The city unfolds in soundby Dara JochumBy using text, alongside sculpture, video, and installation Armin Lorenz Gerold seeks not just to make sound visible, but to forge a different kind of image.
Peggy Franck: breath slowlyby Stefano PirovanoWith Peggy Franck and existence in the process of defining identity that we feed by working, or by expanding painting
Room #3 (Fischli, João, Coltorti, d’Orgeval)by Antonio de MartinoClaudio Coltorti, Martin d’Orgeval, Gina Fischli and Francesco Joao create an hangover scenario, trying to paste together all that happened (Hussenot at CFAlive)
Lotte Andersen and the forces that lead us through historyby Samantha OzerLotte Andersen questions cultural symbols that normalise past narratives of identity, power, oppression and privilege
Guillaume Dénervaud: as beautiful as post-apocalyptic can beby Samuel HaitzGuillaume Dénervaud forms a delicate interpretation of a post-apocalyptic scenery, managing the effects of our carelessness towards our environment
Maren Karlson: effects and defectsby Stefano PirovanoMaren Karlson studies continuity between human being and environment, science and spirituality, individual and collective body
Hanne Lippard: “The mouth is always my favourite medium”by Lilou VidalA portrait of Hanne Lippard, an artist whose text- and performance-based work reveals the emotional and political values of semantics
Alexandra Metcalf and the totalities of current lifeby Piero BiselloA take on the recent artworks by New York-based Alexandra Metcalf: the crafts, the themes, the feels, the wonders
Laura Langer: coordinates, constellations, corporealityby Luzie MeyerBoth in its formal explorations and in its content matter, the work of Laura Langer, like that of a poet, is driven subconsciously
Doris Guo: traces of people, places, and politicsby Victoria DurnakFrom the relationship between mother and daughter to Sino-American culture, which Doris Guo resolves with the grace of the concept
Institutional negotiations: on the art of Daniel de Paulaby Jacopo Crivelli ViscontiSocietal commentary permeates the neo-conceptualism of Brazilian artist Daniel de Paula, evoking art's potential in the polis of today
Achraf Touloub: paintings as facts of themselvesby William KherbekBreaking lines and signs, saying the opposite of what it seems: an introduction to the paintings of Achraf Touloub
Kate Mosher Hall: perceptual limbos and moiré-noirsby Leila PeacockA reflection on the not purely painted - but not just printed - canvases of Los Angeles artist Kate Mosher Hall
It’s dark but just a frame: the drawings of Kyung-Meby John BelknapWho and what exactly appears in the drawings of New York-based artist Kyung-Me, one asks, getting lost in their rich darkness
Famous questions and the paintings of Sofia Silvaby Kristian Vistrup MadsenThe paintings of Sofia Silva do not want to please. Here, questions are prompted as to what they offer instead
Sophie Reinhold: don’t get used to itby Paolo BaggiThe coated, fetishistic superficiality in the art of Sophie Reinhold engages a political agency built on a powerful sense of carnivalesque joy and hope
Pretty hurts: the skinny legends of David Rappeneauby John BelknapThe storytelling technique of David Rappeneau is realism brushed with the fantastic. His neo-libertines seduce the communally divine
Challenging the perspective: on the art of Nina Zeljkovićby Jelena DakonovicNina Zeljković in the Eugster || Belgrade booth at Artissima 2022 was a gem from the fair’s emerging sector. Here is a take on her art