Challenging the perspective: on the art of Nina Zeljkovićby Jelena DakonovicNina Zeljković in the Eugster || Belgrade booth at Artissima 2022 was a gem from the fair’s emerging sector. Here is a take on her art
Kelly Tissot: altered spacesby Yann Chateigné TytelmanThrough photographs and sculptures, Kelly Tissot channels the spectres of life in what she terms “the abandon promise of the rural utopia”
In love: on the art of Angharad Williamsby Stefano FaoroSpending time with Angharad Williams’ work raises some questions: how much does an artwork exist? What are the politics of latency?
Three stages of image reificationby Sofia SilvaA personal introduction to the art of Daniel Graham Loxton, Matthew Peers, and Jens Fröberg
On Kim Farkas’ vesical sculpturesby Stefano PirovanoKim Farkas pursues the Kantian idea of the manifold forming a unity as a concept that leads to pleasure (and the first edition of Paris +)
Luzie Meyer: a desire to acquire, to multiply oneselfby Céline MathieuA conversation with Berlin-based artist Luzie Meyer on threading bodily presence, disorientation and the formation of selves
Kyle Thurman: beyond the night’s philosophyby John BelknapA departure from history’s headlines, a lucid dream of armored giants: a comprehensive essay on the art of Kyle Thurman
Justin Chance: running a sewing machine through a picture planeby Samantha OzerJustin Chance utilises a material structure of dissemination to speak to broader issues of political networks and the power of language
Cassidy Toner, gambling as a career planby Paolo BaggiCassidy Toner stages repeated artistic misfires to better diffuse anxiety, pressure to perform, or the legibility of an artwork
Vera Palme’s self-operating subjectsby Kristian Vistrup MadsenVera Palme’s work generates a certain gut feeling in the viewer, where gut is the distinct opposite of the German “gut”–good—but not in a distinctly bad way
Julien Carreyn: a malicious pleasure to watch from afarby Oriane DurandA reflection on the art of Julien Carreyn, whose small-scale paintings and photographs seduce you to come close, very close even
Niklas Taleb: staging privacy with no cunningby Piero BiselloSomehow staged and performed, yet down-to-reality, the art of Niklas Taleb presents his private sphere without an annoying sense of cunning
Hélène Fauquet, resolution in spaceby Céline MathieuReflective things absorbing light and soft surroundings: an open-ended reading of the work of Hélène Fauquet
Stella Zhong and many confusing scalesby Piero BiselloIn its richness, a Stella Zhong painting, just like a Zhong sculpture or installation, is a little extra universe added to the current one
Aesthetic communities in the work of Pol Taburetby Isabella CostabileThrough symbolic spaces like the yard and the trap house, Pol Taburet blends cultural awareness with entertainment’s aims
Sara Deraedt: sous videby Emile RubinoSara Deraedt paradoxically reinvests visuality by operating a shift of the discursive impulse away from words
Cosima zu Knyphausen and her imprecise skeletonsby Piero BiselloThe paintings of Cosima zu Knyphausen persuade you to ask what surrounds them, circulating motifs and subtle atmospheres, dismissing style.
Naoki Sutter-Shudo, monuments and iconsby Samantha OzerIn crafting speculative worlds on a shrunken scale, Naoki Sutter-Shudo dislocates us from the abstraction of the impending future, allowing a site for contemplation of reality
Henrik Potter: HINGEby Céline MathieuThe work of Henrik Potter is not the in-between. It is more the and and. It’s a mutuality, a literal enjambment
Marina Xenofontos, fluidity is a chrismby Stefano PirovanoMarina Xenofontos' poetic loops entail independent words, images and forms, that fluidity turns into a discourse
