Giant Polaroid, innovation or preservation?by Chiara AgradiA brief history of the Giant Polaroid, the largest transportable Polaroid ever built, which put together the art of photography with art itself.
Closer to Van Eyck with Bart Fransen & VERONA projectby Piero BiselloContemporary technology and restoration have revealed a new Van Eyck. We discuss these topics with the director of the VERONA project Bart Fransen.
In preparation for the debut of Jill Mulleady at Galerie Neuby Stefano PirovanoFirst solo show of Jill Mulleady at Neu marks a decisive step forward in her career. We sat down with the artist to better understand how she is evolving
At Tefaf 2018 oysters instead of tulipsby Stefano PirovanoTefaf 2018. Maastricht is cleverly evolving. The fair becomes lighter, sexier and even more exclusive. But the key remains the same: absolute quality.
FIAC and Paris Internationale 2017: the artist is deadby Stefano PirovanoPuppies Puppies tries to shock Paris' contemporary art week with the corpse of a painter, but the killer is unknown. Who will be the next one?
Francesco Gennari meets Federico da Montefeltroby Francesco Gennari and Stefano PirovanoFor CFA's 'at the show with the artist' section Francesco Gennari gives insights on the art collection of Duke Federico da Montefeltro.
Rome celebrates first female painter in art history revealing three new original piecesby Stefano Pirovano
Hiltiland, where dreams come trueby Stefano PirovanoPresident of Hilti Art Foundation Michael Hilti sits down with CFA to discuss about the strategy behind his family's extraordinary art collection.
The Getty pays 30 millions for Gentileschi’s Danae, but the nano Raphael stays in Europeby Stefano Pirovano
Simon Denny shows us how to still believe in the Venice Biennale despite its controversiesby Pero Bisello
Piero di Cosimo’s ecological fire: a key for his giant retrospective at the National Gallery of Art in Washington