{"id":13589,"date":"2016-11-23T09:36:33","date_gmt":"2016-11-23T08:36:33","guid":{"rendered":"https:\/\/www.conceptualfinearts.com\/cfa\/?p=13589"},"modified":"2016-11-23T09:36:33","modified_gmt":"2016-11-23T08:36:33","slug":"emma-hart-walking-on-the-bright-side-of-the-moon","status":"publish","type":"post","link":"https:\/\/www.conceptualfinearts.com\/cfa\/2016\/11\/23\/emma-hart-walking-on-the-bright-side-of-the-moon\/","title":{"rendered":"Emma Hart: walking on the bright side of the moon"},"content":{"rendered":"

At the moment there are only a few British artists that can count on a schedule of upcoming exhibitions as powerful as the one Emma Hart<\/strong> is experiencing. After she won the Max Mara Art Prize for Women<\/strong><\/a> last year and, thanks to it, spent six months doing fruitful artistic research between Milano, Todi and Faenza, last week she opened at PEER London<\/a><\/strong> the \u201cact one\u201d of a two artists project in three parts – the exhibition, titled ‘Love life’, is supported by the Art Council England and will have two more \u201cacts\u201d at the Grundy Art Gallery<\/a> and De La Warr Pavillion<\/a>. In march 2017 Hart will take part to Whitechapel Gallery<\/a><\/strong>‘s \u201cMy hero\u201d programme \u2013 she will be asked to invite and dialogue with a personality she considers pivotal for her artistic career. Three months later, that is to say July 2017, her solo exhibition will open at the museum, while in October 2017 she is going to have her first solo show at the Collezione Maramotti in Reggio Emilia. By that time, you may argue she would not be an emerging artist any more, but a mature one, with a convincing curriculum vitae in support of her future steps.<\/p>\n\n\t\t