{"id":4185,"date":"2014-01-14T14:08:31","date_gmt":"2014-01-14T13:08:31","guid":{"rendered":"http:\/\/www.conceptualfinearts.com\/cfa\/?p=4185"},"modified":"2014-01-14T14:25:01","modified_gmt":"2014-01-14T13:25:01","slug":"carlo-saraceni-an-emerging-old-master","status":"publish","type":"post","link":"https:\/\/www.conceptualfinearts.com\/cfa\/2014\/01\/14\/carlo-saraceni-an-emerging-old-master\/","title":{"rendered":"Carlo Saraceni, an emerging old master"},"content":{"rendered":"\n\t\t<style type=\"text\/css\">\n\t\t\t#gallery-1 {\n\t\t\t\tmargin: auto;\n\t\t\t}\n\t\t\t#gallery-1 .gallery-item {\n\t\t\t\tfloat: left;\n\t\t\t\tmargin-top: 10px;\n\t\t\t\ttext-align: center;\n\t\t\t\twidth: 33%;\n\t\t\t}\n\t\t\t#gallery-1 img {\n\t\t\t\tborder: 2px solid #cfcfcf;\n\t\t\t}\n\t\t\t#gallery-1 .gallery-caption {\n\t\t\t\tmargin-left: 0;\n\t\t\t}\n\t\t\t\/* see gallery_shortcode() in wp-includes\/media.php *\/\n\t\t<\/style>\n\t\t<div id='gallery-1' class='gallery galleryid-4185 gallery-columns-3 gallery-size-thumbnail'><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/www.conceptualfinearts.com\/cfa\/2014\/01\/14\/carlo-saraceni-an-emerging-old-master\/dettaglio-di-san-bennone-recupera-le-chiavi-della-citta-di-meissen-roma-chiesa-di-santa-maria-dellanima\/'><img loading=\"lazy\" decoding=\"async\" width=\"94\" height=\"150\" src=\"https:\/\/www.conceptualfinearts.com\/cfa\/CFA-content\/uploads\/2014\/01\/Dettaglio-di-San-Bennone-recupera-le-chiavi-della-citt\u00e0-di-Meissen-Roma-Chiesa-di-Santa-Maria-dellAnima.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"Carlo Saraceni (1579 \u2013 1620), \u201cSan Bennone retrieves the keys to the city of Meissen\u201d, detail - Rome, Church of Santa Maria dell\u2019Anima\" aria-describedby=\"gallery-1-4186\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-4186'>\n\t\t\t\tCarlo Saraceni (1579 \u2013 1620), \u201cSan Bennone retrieves the keys to the city of Meissen\u201d, detail &#8211; Rome, Church of Santa Maria dell\u2019Anima\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/www.conceptualfinearts.com\/cfa\/2014\/01\/14\/carlo-saraceni-an-emerging-old-master\/san-bennone-recupera-le-chiavi-della-citta-di-meissen-roma-chiesa-di-santa-maria-dellanima\/'><img loading=\"lazy\" decoding=\"async\" width=\"113\" height=\"150\" src=\"https:\/\/www.conceptualfinearts.com\/cfa\/CFA-content\/uploads\/2014\/01\/San-Bennone-recupera-le-chiavi-della-citt\u00e0-di-Meissen-Roma-Chiesa-di-Santa-Maria-dellAnima.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"Carlo Saraceni (1579 \u2013 1620), \u201cSan Bennone retrieves the keys to the city of Meissen\u201d, - Rome, Church of Santa Maria dell\u2019Anima\" aria-describedby=\"gallery-1-4187\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-4187'>\n\t\t\t\tCarlo Saraceni (1579 \u2013 1620), \u201cSan Bennone retrieves the keys to the city of Meissen\u201d, &#8211; Rome, Church of Santa Maria dell\u2019Anima\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.conceptualfinearts.com\/cfa\/2014\/01\/14\/carlo-saraceni-an-emerging-old-master\/dettaglio-di-ostensione-del-sacro-chiodo-con-san-carlo-borromeo-roma-chiesa-di-san-lorenzo-in-lucina\/'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"140\" src=\"https:\/\/www.conceptualfinearts.com\/cfa\/CFA-content\/uploads\/2014\/01\/dettaglio-di-Ostensione-del-Sacro-Chiodo-con-San-Carlo-Borromeo-Roma-Chiesa-di-San-Lorenzo-in-Lucina.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"Carlo Saraceni (1579 \u2013 1620), \u201cExposition of the Holy Nail with St. Carlo Borromeo\u201d, detail - Rome, Church of San Lorenzo in Lucina\" aria-describedby=\"gallery-1-4188\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-4188'>\n\t\t\t\tCarlo Saraceni (1579 \u2013 1620), \u201cExposition of the Holy Nail with St. Carlo Borromeo\u201d, detail &#8211; Rome, Church of San Lorenzo in Lucina\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/www.conceptualfinearts.com\/cfa\/2014\/01\/14\/carlo-saraceni-an-emerging-old-master\/ostensione-del-sacro-chiodo-con-san-carlo-borromeo-roma-chiesa-di-san-lorenzo-in-lucina\/'><img loading=\"lazy\" decoding=\"async\" width=\"105\" height=\"150\" src=\"https:\/\/www.conceptualfinearts.com\/cfa\/CFA-content\/uploads\/2014\/01\/Ostensione-del-Sacro-Chiodo-con-San-Carlo-Borromeo-Roma-Chiesa-di-San-Lorenzo-in-Lucina.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"Carlo Saraceni (1579 \u2013 1620), \u201cExposition of the Holy Nail with St. Carlo Borromeo\u201d, - Rome, Church of San Lorenzo in Lucina\" aria-describedby=\"gallery-1-4189\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-4189'>\n\t\t\t\tCarlo Saraceni (1579 \u2013 1620), \u201cExposition of the Holy Nail with St. Carlo Borromeo\u201d, &#8211; Rome, Church of San Lorenzo in Lucina\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/www.conceptualfinearts.com\/cfa\/2014\/01\/14\/carlo-saraceni-an-emerging-old-master\/dettaglio-del-riposo-nella-fuga-in-egitto-monteporzio-catone-sacro-eremo-camaldolese-tuscolano\/'><img loading=\"lazy\" decoding=\"async\" width=\"78\" height=\"150\" src=\"https:\/\/www.conceptualfinearts.com\/cfa\/CFA-content\/uploads\/2014\/01\/dettaglio-del-Riposo-nella-fuga-in-Egitto-Monteporzio-Catone-Sacro-Eremo-Camaldolese-Tuscolano.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"Carlo Saraceni (1579 \u2013 1620), \u201cRest on the Flight into Egypt\u201d, detail - Monteporzio Catone, Sacro Eremo Camaldolese Tuscolano\" aria-describedby=\"gallery-1-4190\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-4190'>\n\t\t\t\tCarlo Saraceni (1579 \u2013 1620), \u201cRest on the Flight into Egypt\u201d, detail &#8211; Monteporzio Catone, Sacro Eremo Camaldolese Tuscolano\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/www.conceptualfinearts.com\/cfa\/2014\/01\/14\/carlo-saraceni-an-emerging-old-master\/riposo-nella-fuga-in-egitto-monteporzio-catone-sacro-eremo-camaldolese-tuscolano\/'><img loading=\"lazy\" decoding=\"async\" width=\"105\" height=\"150\" src=\"https:\/\/www.conceptualfinearts.com\/cfa\/CFA-content\/uploads\/2014\/01\/Riposo-nella-fuga-in-Egitto-Monteporzio-Catone-Sacro-Eremo-Camaldolese-Tuscolano.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"Carlo Saraceni (1579 \u2013 1620), \u201cRest on the Flight into Egypt\u201d - Monteporzio Catone, Sacro Eremo Camaldolese Tuscolano\" aria-describedby=\"gallery-1-4191\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-4191'>\n\t\t\t\tCarlo Saraceni (1579 \u2013 1620), \u201cRest on the Flight into Egypt\u201d &#8211; Monteporzio Catone, Sacro Eremo Camaldolese Tuscolano\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.conceptualfinearts.com\/cfa\/2014\/01\/14\/carlo-saraceni-an-emerging-old-master\/inv-5006-dia-pmr-196830-carlo-saraceni-madonna-col-bambino-e-santa-anna\/'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"108\" src=\"https:\/\/www.conceptualfinearts.com\/cfa\/CFA-content\/uploads\/2014\/01\/dettaglio-di-Madonna-col-Bambino-e-SantAnna-Roma-Galleria-Nazionale-di-Arte-Antica-di-Roma-Palazzo-Barberini.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"Carlo Saraceni (1579 \u2013 1620), \u201cMadonna and Child with Saint Anne\u201d, detail - Rome, National Gallery of Ancient Art of Rome, Palazzo Barberini\" aria-describedby=\"gallery-1-4192\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-4192'>\n\t\t\t\tCarlo Saraceni (1579 \u2013 1620), \u201cMadonna and Child with Saint Anne\u201d, detail &#8211; Rome, National Gallery of Ancient Art of Rome, Palazzo Barberini\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/www.conceptualfinearts.com\/cfa\/2014\/01\/14\/carlo-saraceni-an-emerging-old-master\/inv-5006-dia-pmr-196830-carlo-saraceni-madonna-col-bambino-e-santa-anna-2\/'><img loading=\"lazy\" decoding=\"async\" width=\"123\" height=\"150\" src=\"https:\/\/www.conceptualfinearts.com\/cfa\/CFA-content\/uploads\/2014\/01\/Madonna-col-Bambino-e-SantAnna-Roma-Galleria-Nazionale-di-Arte-Antica-di-Roma-Palazzo-Barberini.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"Carlo Saraceni (1579 \u2013 1620), \u201cMadonna and Child with Saint Anne\u201d - Rome, National Gallery of Ancient Art of Rome, Palazzo Barberini\" aria-describedby=\"gallery-1-4193\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-4193'>\n\t\t\t\tCarlo Saraceni (1579 \u2013 1620), \u201cMadonna and Child with Saint Anne\u201d &#8211; Rome, National Gallery of Ancient Art of Rome, Palazzo Barberini\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/www.conceptualfinearts.com\/cfa\/2014\/01\/14\/carlo-saraceni-an-emerging-old-master\/amartirio-di-san-lamberto-roma-chiesa-di-santa-maria-dellanima\/'><img loading=\"lazy\" decoding=\"async\" width=\"85\" height=\"150\" src=\"https:\/\/www.conceptualfinearts.com\/cfa\/CFA-content\/uploads\/2014\/01\/AMartirio-di-San-Lamberto-Roma-Chiesa-di-Santa-Maria-dellAnima.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"Carlo Saraceni (1579 \u2013 1620), \u201cMartyrdom of Saint Lambert\u201d - Rome, Church of Santa Maria dell\u2019Anima\" aria-describedby=\"gallery-1-4194\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-4194'>\n\t\t\t\tCarlo Saraceni (1579 \u2013 1620), \u201cMartyrdom of Saint Lambert\u201d &#8211; Rome, Church of Santa Maria dell\u2019Anima\n\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/>\n\t\t<\/div>\n\n<p>&nbsp;<\/p>\n<p>Carlo Saraceni was born in Venice around 1579, worked in Rome from circa 1598 to 1619 and died in Venice in 1620. He was a famous and successful painter who achieved the highest quality in both large altarpieces and tasteful little works. His paintings were commissioned and promoted by the leading ecclesiastical and aristocratic patrons of his time (Aldobrandini, Farnese, Borghese, Lancellotti, Pignatelli, Del Monte, Gonzaga, Gualdo, Rondinini, Orsini, Sacchetti, Sannesio, Contarini and several religious orders). The co-author and co-ordinator of the frescos in the Sala Regia in the Quirinale Palace, he is closely related to the lively artistic scene \u2013 primarily in the style of Caravaggio \u2013 of the early seventeenth-century Rome, while also maintaining documented international relations with Spain, France and Germany.<\/p>\n<p>&nbsp;<br \/>\nThe first monographic exhibition dedicated to the artist, \u201cCarlo Saraceni, a Venetian between Rome and Europe\u201d at the Museo Nazionale of Palazzo Venezia, Rome until March 2, curated by Maria Giulia Aurigemma, comprises a large number of works that illustrate the painter\u2019s European scope, the role he played in Rome in the first two decades of the seventeenth century as well as his elegant style.<br \/>\nWe don&#8217;t know much about his training in Venice, but his manner of applying colours and of veiling seem to remind to that of Bellini, Giorgione and Lotto. It also shows a familiarity with the composition of Bassano and Palma il Giovane.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; Carlo Saraceni was born in Venice around 1579, worked in Rome from circa 1598 to 1619 and died in Venice in 1620. He was a famous and successful painter [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":4186,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1],"tags":[1560],"class_list":["post-4185","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-senza-categoria","tag-carlo-saraceni"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.conceptualfinearts.com\/cfa\/wp-json\/wp\/v2\/posts\/4185","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.conceptualfinearts.com\/cfa\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.conceptualfinearts.com\/cfa\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.conceptualfinearts.com\/cfa\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.conceptualfinearts.com\/cfa\/wp-json\/wp\/v2\/comments?post=4185"}],"version-history":[{"count":0,"href":"https:\/\/www.conceptualfinearts.com\/cfa\/wp-json\/wp\/v2\/posts\/4185\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.conceptualfinearts.com\/cfa\/wp-json\/wp\/v2\/media\/4186"}],"wp:attachment":[{"href":"https:\/\/www.conceptualfinearts.com\/cfa\/wp-json\/wp\/v2\/media?parent=4185"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.conceptualfinearts.com\/cfa\/wp-json\/wp\/v2\/categories?post=4185"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.conceptualfinearts.com\/cfa\/wp-json\/wp\/v2\/tags?post=4185"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}