{"id":4270,"date":"2014-01-16T18:10:35","date_gmt":"2014-01-16T17:10:35","guid":{"rendered":"http:\/\/www.conceptualfinearts.com\/cfa\/?p=4270"},"modified":"2014-01-17T09:26:39","modified_gmt":"2014-01-17T08:26:39","slug":"from-lucio-fontana-to-nina-canell-a-brief-photographic-history-of-neon-light-in-art","status":"publish","type":"post","link":"https:\/\/www.conceptualfinearts.com\/cfa\/2014\/01\/16\/from-lucio-fontana-to-nina-canell-a-brief-photographic-history-of-neon-light-in-art\/","title":{"rendered":"From Lucio Fontana to Nina Canell: a brief photographic history of neon light in art"},"content":{"rendered":"\n\t\t<style type=\"text\/css\">\n\t\t\t#gallery-1 {\n\t\t\t\tmargin: auto;\n\t\t\t}\n\t\t\t#gallery-1 .gallery-item {\n\t\t\t\tfloat: left;\n\t\t\t\tmargin-top: 10px;\n\t\t\t\ttext-align: center;\n\t\t\t\twidth: 33%;\n\t\t\t}\n\t\t\t#gallery-1 img {\n\t\t\t\tborder: 2px solid #cfcfcf;\n\t\t\t}\n\t\t\t#gallery-1 .gallery-caption {\n\t\t\t\tmargin-left: 0;\n\t\t\t}\n\t\t\t\/* see gallery_shortcode() in wp-includes\/media.php *\/\n\t\t<\/style>\n\t\t<div id='gallery-1' class='gallery galleryid-4270 gallery-columns-3 gallery-size-thumbnail'><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.conceptualfinearts.com\/cfa\/2014\/01\/16\/from-lucio-fontana-to-nina-canell-a-brief-photographic-history-of-neon-light-in-art\/lucio-fontana-struttura-al-neon-per-la-ix-triennale-di-milano-19511\/'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"122\" src=\"https:\/\/www.conceptualfinearts.com\/cfa\/CFA-content\/uploads\/2014\/01\/lucio-fontana-struttura-al-neon-per-la-ix-triennale-di-milano-19511.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"Lucio Fontana, Neon structure for the IX Triennale of Milan, 1951.\" aria-describedby=\"gallery-1-4289\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-4289'>\n\t\t\t\tLucio Fontana, Neon structure for the IX Triennale of Milan, 1951.\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.conceptualfinearts.com\/cfa\/2014\/01\/16\/from-lucio-fontana-to-nina-canell-a-brief-photographic-history-of-neon-light-in-art\/joseph-kossuth-neon-1965-ok\/'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"100\" src=\"https:\/\/www.conceptualfinearts.com\/cfa\/CFA-content\/uploads\/2014\/01\/Joseph-Kossuth-Neon-1965-OK.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"Joseph Kossuth, N\u00e9on, 1965.\" aria-describedby=\"gallery-1-4287\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-4287'>\n\t\t\t\tJoseph Kossuth, N\u00e9on, 1965.\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.conceptualfinearts.com\/cfa\/2014\/01\/16\/from-lucio-fontana-to-nina-canell-a-brief-photographic-history-of-neon-light-in-art\/attachment\/92\/'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"95\" src=\"https:\/\/www.conceptualfinearts.com\/cfa\/CFA-content\/uploads\/2014\/01\/92.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"Dan Flavin, greens crossing greens (to Piet Mondrian who lacked green), 1966. Green fluorescent light. First section: 4 ft. (122 cm) high, 20 ft. (609.6 cm) wide; second section: 2 ft. (61 cm) high, 22 ft. (670 cm) wide. Photo courtesy of Stephen Flavin \u00a9 2009 Stephen Flavin\/Artists Rights Society (ARS), New York; courtesy of David Zwirner, New York\/London.\" aria-describedby=\"gallery-1-4272\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-4272'>\n\t\t\t\tDan Flavin, greens crossing greens (to Piet Mondrian who lacked green), 1966. Green fluorescent light. First section: 4 ft. (122 cm) high, 20 ft. (609.6 cm) wide; second section: 2 ft. (61 cm) high, 22 ft. (670 cm) wide. Photo courtesy of Stephen Flavin \u00a9 2009 Stephen Flavin\/Artists Rights Society (ARS), New York; courtesy of David Zwirner, New York\/London.\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.conceptualfinearts.com\/cfa\/2014\/01\/16\/from-lucio-fontana-to-nina-canell-a-brief-photographic-history-of-neon-light-in-art\/joseph-kosuth-four-colors-four-words\/'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"113\" src=\"https:\/\/www.conceptualfinearts.com\/cfa\/CFA-content\/uploads\/2014\/01\/Joseph-Kosuth-Four-Colors-Four-Words.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"Joseph Kosuth, &quot;Four Colors Four Words&quot;, 1966.\" aria-describedby=\"gallery-1-4288\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-4288'>\n\t\t\t\tJoseph Kosuth, &#8220;Four Colors Four Words&#8221;, 1966.\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.conceptualfinearts.com\/cfa\/2014\/01\/16\/from-lucio-fontana-to-nina-canell-a-brief-photographic-history-of-neon-light-in-art\/3561593152_205d22f893_b-660x495\/'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"113\" src=\"https:\/\/www.conceptualfinearts.com\/cfa\/CFA-content\/uploads\/2014\/01\/3561593152_205d22f893_b-660x495.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"Bruce Naumann, &quot;The True Artist Helps the World by Revealing Mystic Truths&quot;,\" aria-describedby=\"gallery-1-4278\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-4278'>\n\t\t\t\tBruce Naumann, &#8220;The True Artist Helps the World by Revealing Mystic Truths&#8221;, 1967.\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.conceptualfinearts.com\/cfa\/2014\/01\/16\/from-lucio-fontana-to-nina-canell-a-brief-photographic-history-of-neon-light-in-art\/che-fare-1968-73-by-mario-merz-1925-2003\/'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"87\" src=\"https:\/\/www.conceptualfinearts.com\/cfa\/CFA-content\/uploads\/2014\/01\/AR00598_9.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"Mario Merz, Che Fare?, 1968-73. Aluminium, wax and neon lights, 125 x 668 x 191 mm, 2.8 kg. Courtesy of Tate \/ National Galleries of Scotland.\" aria-describedby=\"gallery-1-4280\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-4280'>\n\t\t\t\tMario Merz, Che Fare?, 1968-73. Aluminium, wax and neon lights, 125 x 668 x 191 mm, 2.8 kg. Courtesy of Tate \/ National Galleries of Scotland.\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.conceptualfinearts.com\/cfa\/2014\/01\/16\/from-lucio-fontana-to-nina-canell-a-brief-photographic-history-of-neon-light-in-art\/pier-paolo-calzolari-senza-titolo-materasso-1971-foto-semprucci1\/'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"100\" src=\"https:\/\/www.conceptualfinearts.com\/cfa\/CFA-content\/uploads\/2014\/01\/Pier-Paolo-Calzolari-Senza-titolo-Materasso-1971-foto-Semprucci1.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"Pier Paolo Calzolari. Untitled (Materasso: &quot;senz&#039;altri rumori che i miei&quot; ), 1971, Courtesy of the artist and Paolo Semprucci.\" aria-describedby=\"gallery-1-4291\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-4291'>\n\t\t\t\tPier Paolo Calzolari. Untitled (Materasso: &#8220;senz&#8217;altri rumori che i miei&#8221; ), 1971, Courtesy of the artist and Paolo Semprucci.\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.conceptualfinearts.com\/cfa\/2014\/01\/16\/from-lucio-fontana-to-nina-canell-a-brief-photographic-history-of-neon-light-in-art\/f925e4423e095fe1766d153f05f27322\/'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"100\" src=\"https:\/\/www.conceptualfinearts.com\/cfa\/CFA-content\/uploads\/2014\/01\/f925e4423e095fe1766d153f05f27322.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"Pier Paolo Calzolari, Untitled, 1971. Leather belts, neon, lead sheets, refrigerator motor, transformer.\" aria-describedby=\"gallery-1-4282\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-4282'>\n\t\t\t\tPier Paolo Calzolari, Untitled, 1971. Leather belts, neon, lead sheets, refrigerator motor, transformer.\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.conceptualfinearts.com\/cfa\/2014\/01\/16\/from-lucio-fontana-to-nina-canell-a-brief-photographic-history-of-neon-light-in-art\/img_8340\/'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"112\" src=\"https:\/\/www.conceptualfinearts.com\/cfa\/CFA-content\/uploads\/2014\/01\/IMG_8340.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"Mario Merz, \u201cFrom Continent to Continent,\u201d 1985. Steel, glass, neon, clay, metal cables, electrical wire, transformer.\" aria-describedby=\"gallery-1-4284\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-4284'>\n\t\t\t\tMario Merz, \u201cFrom Continent to Continent,\u201d 1985. Steel, glass, neon, clay, metal cables, electrical wire, transformer.\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.conceptualfinearts.com\/cfa\/2014\/01\/16\/from-lucio-fontana-to-nina-canell-a-brief-photographic-history-of-neon-light-in-art\/attachment\/348151\/'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"103\" src=\"https:\/\/www.conceptualfinearts.com\/cfa\/CFA-content\/uploads\/2014\/01\/348151.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"Bruce Nauman (1941) Big Welcome, 1985, Collection Daniel Hechte.\" aria-describedby=\"gallery-1-4277\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-4277'>\n\t\t\t\tBruce Nauman (1941) Big Welcome, 1985, Collection Daniel Hechte.\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.conceptualfinearts.com\/cfa\/2014\/01\/16\/from-lucio-fontana-to-nina-canell-a-brief-photographic-history-of-neon-light-in-art\/attachment\/348051\/'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"103\" src=\"https:\/\/www.conceptualfinearts.com\/cfa\/CFA-content\/uploads\/2014\/01\/348051.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-4275\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-4275'>\n\t\t\t\tJoseph Kosuth, &#8220;Words Are Deeds&#8221; (&#8220;Les mots sont des actes&#8221;), 1991.\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.conceptualfinearts.com\/cfa\/2014\/01\/16\/from-lucio-fontana-to-nina-canell-a-brief-photographic-history-of-neon-light-in-art\/04-3\/'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"91\" src=\"https:\/\/www.conceptualfinearts.com\/cfa\/CFA-content\/uploads\/2014\/01\/04.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"Maurizio Cattelan (1960) Christmas 95, 1995 Fondazione Sandretto Re Rebaudengo, Torino courtesy Maurizio Cattelan\u2019s Archive photo Studio Blu.\" aria-describedby=\"gallery-1-4271\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-4271'>\n\t\t\t\tMaurizio Cattelan (1960) Christmas 95, 1995 Fondazione Sandretto Re Rebaudengo, Torino courtesy Maurizio Cattelan\u2019s Archive photo Studio Blu.\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.conceptualfinearts.com\/cfa\/2014\/01\/16\/from-lucio-fontana-to-nina-canell-a-brief-photographic-history-of-neon-light-in-art\/attachment\/348011\/'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"103\" src=\"https:\/\/www.conceptualfinearts.com\/cfa\/CFA-content\/uploads\/2014\/01\/348011.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"Tracey Emin, &quot;Just Love Me&quot;, 1998.\" aria-describedby=\"gallery-1-4274\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-4274'>\n\t\t\t\tTracey Emin, &#8220;Just Love Me&#8221;, 1998.\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.conceptualfinearts.com\/cfa\/2014\/01\/16\/from-lucio-fontana-to-nina-canell-a-brief-photographic-history-of-neon-light-in-art\/attachment\/348071\/'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"103\" src=\"https:\/\/www.conceptualfinearts.com\/cfa\/CFA-content\/uploads\/2014\/01\/348071.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-4276\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-4276'>\n\t\t\t\tJonathan Monk, &#8220;All the Possible Ways of Lighting a Chemist Shop&#8217;s Sign (One Light at a Time), 2002.\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.conceptualfinearts.com\/cfa\/2014\/01\/16\/from-lucio-fontana-to-nina-canell-a-brief-photographic-history-of-neon-light-in-art\/attachment\/347969\/'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"103\" src=\"https:\/\/www.conceptualfinearts.com\/cfa\/CFA-content\/uploads\/2014\/01\/347969.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"Jason Rhoades, Untitled, 2004, Courtesy Collection Frank Cohen.\" aria-describedby=\"gallery-1-4273\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-4273'>\n\t\t\t\tJason Rhoades, Untitled, 2004, Courtesy Collection Frank Cohen.\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.conceptualfinearts.com\/cfa\/2014\/01\/16\/from-lucio-fontana-to-nina-canell-a-brief-photographic-history-of-neon-light-in-art\/framed_ball\/'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"100\" src=\"https:\/\/www.conceptualfinearts.com\/cfa\/CFA-content\/uploads\/2014\/01\/framed_ball.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-4283\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-4283'>\n\t\t\t\tJeppe Hein, Framed Ball, 2007. High polished stainless steel, neon tubes, transformers\n50 x 50 x 50 cm \u00d8 65 cm \/ 19 3\/4 x 19 3\/4 x 19 3\/4 in \u00d8 25 1\/2 in.Jeppe Hein, Framed Ball, 2007. High polished stainless steel, neon tubes, transformers\n50 x 50 x 50 cm \u00d8 65 cm \/ 19 3\/4 x 19 3\/4 x 19 3\/4 in \u00d8 25 1\/2 in.\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.conceptualfinearts.com\/cfa\/2014\/01\/16\/from-lucio-fontana-to-nina-canell-a-brief-photographic-history-of-neon-light-in-art\/abdessemed_exit\/'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"113\" src=\"https:\/\/www.conceptualfinearts.com\/cfa\/CFA-content\/uploads\/2014\/01\/Abdessemed_Exit.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"Adel Abdessemed, Exit, 2007, 11 neon, 23,5 x 34,9 cm. \u00a9 Adel Abdessemed, ADAGP Paris 2012, Courtesy of the artist and David Zwirner, New York\/London.\" aria-describedby=\"gallery-1-4302\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-4302'>\n\t\t\t\tAdel Abdessemed, Exit, 2007, 11 neon, 23,5 x 34,9 cm. \u00a9 Adel Abdessemed, ADAGP Paris 2012, Courtesy of the artist and David Zwirner, New York\/London.\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/www.conceptualfinearts.com\/cfa\/2014\/01\/16\/from-lucio-fontana-to-nina-canell-a-brief-photographic-history-of-neon-light-in-art\/another-affinity-unit_500_752_80_s_c1\/'><img loading=\"lazy\" decoding=\"async\" width=\"100\" height=\"150\" src=\"https:\/\/www.conceptualfinearts.com\/cfa\/CFA-content\/uploads\/2014\/01\/Another-Affinity-Unit_500_752_80_s_c1.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-4279\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-4279'>\n\t\t\t\tNina Canell, And So Entangled, 2012. Installation view, Sydney Biennale, 2012.\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/>\n\t\t<\/div>\n\n<p>&nbsp;<\/p>\n<p>Writing the history of the use of neon light in art has always been a great challenge for scholars, as well as a source of inspiration for exhibitions. For instance, the show dedicated to this art tool \u2013 calling it a medium sounds a bit excessive \u2013 that took place in 2012 at the <a href=\"http:\/\/www.lamaisonrouge.org\/spip.php?article839&amp;date=archives\" target=\"_blank\">Maison Rouge, Paris<\/a>. But of course that show was far from been exhaustive, and this history has not yet reached its end. That is why the new solo show of <a href=\"http:\/\/www.camdenartscentre.org\/whats-on\/view\/ex-nc\" target=\"_blank\">Nina Canell at the Camden Art Center<\/a> (until 30 March 2014) has been too tempting for us to resist. Here is our easy history, starting from Lucio Fontana, who if not the first artist to use the neon \u2013 before him Zden\u011bk Pe\u0161\u00e1nek in 1936 and\u00a0Gyula Ko\u0161ice in 1946, according to the <a href=\"http:\/\/www.moma.org\/m\/explore\/collection\/art_terms\/10130\/0\/0.iphone_ajax?klass=term\" target=\"_blank\">MoMA<\/a> \u2013\u00a0was \u00a0probably the first doing it completely consciously. Furthermore, composing the gallery made us realize the important role that photography has been playing in the circulation of this kind of artworks.<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; Writing the history of the use of neon light in art has always been a great challenge for scholars, as well as a source of inspiration for exhibitions. For [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":4279,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1],"tags":[1566],"class_list":["post-4270","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-senza-categoria","tag-nina-canell"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.conceptualfinearts.com\/cfa\/wp-json\/wp\/v2\/posts\/4270","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.conceptualfinearts.com\/cfa\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.conceptualfinearts.com\/cfa\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.conceptualfinearts.com\/cfa\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.conceptualfinearts.com\/cfa\/wp-json\/wp\/v2\/comments?post=4270"}],"version-history":[{"count":0,"href":"https:\/\/www.conceptualfinearts.com\/cfa\/wp-json\/wp\/v2\/posts\/4270\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.conceptualfinearts.com\/cfa\/wp-json\/wp\/v2\/media\/4279"}],"wp:attachment":[{"href":"https:\/\/www.conceptualfinearts.com\/cfa\/wp-json\/wp\/v2\/media?parent=4270"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.conceptualfinearts.com\/cfa\/wp-json\/wp\/v2\/categories?post=4270"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.conceptualfinearts.com\/cfa\/wp-json\/wp\/v2\/tags?post=4270"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}