{"id":6479,"date":"2014-05-22T17:51:23","date_gmt":"2014-05-22T15:51:23","guid":{"rendered":"http:\/\/www.conceptualfinearts.com\/cfa\/?p=6479"},"modified":"2014-09-22T16:56:50","modified_gmt":"2014-09-22T14:56:50","slug":"rule-number-one-establish-a-conceptual-framework","status":"publish","type":"post","link":"https:\/\/www.conceptualfinearts.com\/cfa\/2014\/05\/22\/rule-number-one-establish-a-conceptual-framework\/","title":{"rendered":"Rule number one: Establish a conceptual framework"},"content":{"rendered":"<p><a href=\"http:\/\/www.conceptualfinearts.com\/cfa\/CFA-content\/uploads\/2014\/05\/DSC_2072.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-6480\" src=\"http:\/\/www.conceptualfinearts.com\/cfa\/CFA-content\/uploads\/2014\/05\/DSC_2072-640x953.jpg\" alt=\"DSC_2072\" width=\"640\" height=\"953\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<p>Louisa Buck is an art writer, Judith Greer a collector. If seen from the point of view of contemporary art their book about the art market is a sort of manual for passionate beginners. But it could be even enlightening if read with the mind of a collector of old masters. Suggested.<\/p>\n<p>&nbsp;<\/p>\n<blockquote><p><em>A close examination and interrogation of personal responses to the art can help collector to build a conceptual framework for the collection. Consideration of its overall composition and the relationship between its component parts can govern how acquisitions are made and the collection defined. It is a general rule that the more resolved the criteria, the greater the credibility of the collector.<\/em><\/p>\n<p><em>Establishing these guiding principles is a complex and personal process, involving a mixture of intellectual awareness and intuitive soul searching.<\/em><\/p><\/blockquote>\n<p>&nbsp;<\/p>\n<p>Louisa Buck and\u00a0Judith Greer, Owning art: the contemporary art collector&#8217;s hand book, 2006.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; Louisa Buck is an art writer, Judith Greer a collector. If seen from the point of view of contemporary art their book about the art market is a sort [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":6480,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1796],"tags":[],"class_list":["post-6479","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-mapping-the-artscape"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.conceptualfinearts.com\/cfa\/wp-json\/wp\/v2\/posts\/6479","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.conceptualfinearts.com\/cfa\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.conceptualfinearts.com\/cfa\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.conceptualfinearts.com\/cfa\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.conceptualfinearts.com\/cfa\/wp-json\/wp\/v2\/comments?post=6479"}],"version-history":[{"count":0,"href":"https:\/\/www.conceptualfinearts.com\/cfa\/wp-json\/wp\/v2\/posts\/6479\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.conceptualfinearts.com\/cfa\/wp-json\/wp\/v2\/media\/6480"}],"wp:attachment":[{"href":"https:\/\/www.conceptualfinearts.com\/cfa\/wp-json\/wp\/v2\/media?parent=6479"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.conceptualfinearts.com\/cfa\/wp-json\/wp\/v2\/categories?post=6479"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.conceptualfinearts.com\/cfa\/wp-json\/wp\/v2\/tags?post=6479"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}