Timetable

Venice Biennale 2015, international pavilion: this is the end, my only friend

Venice Biennale 2015: is this the best edition of the new millennium?

In dialogue with collector Alain Servais and the hope of a more regulated art market

The new Fondazione Prada opens, with a potential political action

Why there is no Qatar pavilion at the Venice Biennale yet?

An old trick that never fails: space production from Raphael to Gober

The essence of Art Brussels 2015 in 14 moves

At the show with the artist: Jannis Varelas on Titian’s Nymph and Shepherd

In dialogue with Valeria Napoleone and the bright side of emerging art

Siri Hustvedt’ “The Blazing world”: a generous art novel dedicated to masks and undervalued artists

At the show with the artist: Jimmie Durham’s guide to Venice, soon at the Querini Stampalia

Darja Bajagic: from ROOM EAST to Croy Nielsen with the blessings of John Waters

Phillips and Francesco Bonami present first auction of Italian art to take place in NY

Can’t you choose between Sp Arte, Art Dallas and MiArt? Question 400-year-old dealer Daniel Nijs

Proustian questions to Lucas Blalock

Artist as collector: on show at the Barbican the difference between cultural and object values

Will the City of Rotterdam make the world’s first Public Art Depot real?

Restoration of “Alchemy” reveals the truth about Jackson Pollock

Cultural decentralisation: collector Rosetta Barabino celebrated at Villa Croce (with a writing by Gian Enzo Sperone)

56° Venice Biennial: the impossible dialogue between Karl Marx and the Azerbaijan’s pavilion

Piero di Cosimo’s ecological fire: a key for his giant retrospective at the National Gallery of Art in Washington

Interview: Rijksmusem’s head of exhibition Tim Zeedijk

TEFAF 2015: the kingdom of slow-art lasts 10 days

TEFAF 2015: 7000 years of contemporary art

Cultural decentralisation: engaging with the Towner’s non-elitist approach

Gauguin’ show at Fondation Beyeler: “Beware of luxury!” Paul said

The Sultan’s World according to Renaissance Art: at BOZAR Europe welcomes the Ottomans

The smallest Armory Show in many years looks at warm countries

Rodrigo Matheus’ socially oriented art soon at Fortes Vilaça and Ibid.

Focus on Qatar: an interview with Emin Balcıoglu

Pipilotti Rist at Hauser&Wirth Somerset: are you looking for ways to decentralise culture?

Focus on Qatar: not only sumptuous museums, at Al Zubarah also serious archaeology

Finissage interview with Holly Hendry at Bosse&Baum (minimally monumental?)

A new gallery designed by Kuehn Malvezzi respects the rule: take a step back

Interview with Johann Kraeftner to learn about the Prince Hans Adam II revolution at the Liechtenstein Museum

At the Secession artwork and poetry clinch in Ugo Rondinone’s ring

Focus on Qatar: the first step is to discover the “Here and There” scheme

Is this “Owl’s Nest” the Hieronymus Bosch’s self-portrait that we desire?

Last day for visting Almine Rech’s seminal parody of the artscape

Alberto Burri’s centenary exhibition cancelled by Charlie Hebdo

Chantal Joffe’s people at The Jerwood Gallery, or how international art can work so locally

In dialogue with Jean-Baptiste Bernadet (currently at Valentin Gallery, Paris)

In dialogue with Clino Trini Castelli and the no-form side of creativity

Will the artist-as-a-researcher save contemporary art galleries’ analog future?

Sotheby’s Masters Week in NY beyond expectation, also thanks to an Italian dealer and philantropist

The Hooper Projects: a few steps away from Skid Row hustlers and artists are trying to make it happen

Sanya Kantarovsky: narrative snapshots for bigger plots (currently at Marc Foxx)

Tomorrow at Sotheby’s NY an auction that hardly will be forgotten

Don’t touch: Surface Value? Pennacchio Argentato, May Hands and the Sansevero Chapel in Naples

A unique MOCA to remind Alexis Tsipras that not all the oligarchs are the same

The miracle of Santa Maria presso San Celso in Milan

What is the price to pay to have priceless artworks?

Los Angeles and NYC to host Andrea del Sarto’s first show in the US (but Lucrezia is not welcome)

At the show with the artist: Utagawa Hiroshige’s exhibition in Venice visited by Veronica de Giovannelli

Weekend tips: Château Vaux le Vicomte and the instructive story of its wealthy founder

First Hammershøi’s in a public Dutch collection soon at the Boijmans (escorted by Richter and Gober)

The seminal meeting in which Carol Bove kissed master Carlo Scarpa

Vera Kox soon at Duve: when the matter is what really matters

Last days to see Depero under the skin in Madrid (thanks to the Juan March Foundation)

Can the Pope abolish hell and make peace with contemporary art?

Goshka Macuga possibly in the pipeline at the new Fondazione Prada in Milan

Slavs and Tatars report from Zakopane

Beauty treatments to Raphael’s “La Muta” before her return to Urbino

7 questions to protect the good artists from Zombie criticism

In dialogue with Nick Darmstaedter and his visual manipulation of masculinity in 1972

Is the Italian Government seriously disposed to lend hotels the artworks preserved in museums’ storage?

A look at Ingres to expand Jack McConville’s “heroic frenzies” currently in Los Angeles

News from Pisa: heated canvases will protect Buffalmacco’s fresco from condensation

At the Middelheim Museum time is a constructive reality (featured by artist Kader Attia and the Cave Painters)

Is philosopher Graham Harman’s speculative realism really inspiring a new art critique?

Last days to play with Richard Tuttle’s System VI

At the Musée du Luxembourg to learn Paul Durand-Ruel’s lesson: defend art above all else

Goodbye Nada Miami Beach, Je F* t’aime!