Conceptual Fine Arts

Stephen Felton: Whether painted or printed, representative information is what you are in the end

The explosive relationship between Fontana and Klein under investigation in Milan

At Rodolphe Janssen, Peter Sutherland tests the Law of Reversed Effect

Sir Anthony Van Dyck to illustrate UN’ statement about travellers from Ebola-affected countries

London is blossoming, but this time FIAC does it better

Goethe writes the software for the late Turner currently at the Tate Britain

The double face of Fiac (Off)icielle: locals vs. Los Angeles

In the last days of his solo show in Turin Jason Dodge replies to our Proustian questionnaire

Rembrandt’s late works at the National Gallery, the ultimate exhibition

In response to Phillips’ bad day, a Focus on Frieze Focus, and a hop to Sunday

Frieze Masters 2014: a step forward into quality

David Altmejd’s retrospective in Paris: nightmares have never been so beautiful

Did you know Marcel Duchamp was an excellent painter?

Art novels: visual art according to writersby Stefano PirovanoA list of novels explaining visual art, artists and collectors better than any art critic book

Venice, first main show about the Marchesa Luisa Casatiby Stefano PirovanoPalazzo Fortuny in Venice hosts the first major exhibition dedicated to the Marchesa Luisa Casati and her extraordinary life

Jason Matthew Lee, the hacker who is cracking into the gallery roomby Stefano PirovanoA writing about Jason Matthew Lee that stems from a painting that the artist presented in 2014 in Milan. Many things has been happening since then...

Recent scientific analysis reveal the “gold” of Giovanni Segantini, currently in Milan

Fireplace mantels or Triumphal Arches? Strauss Burque-LaFrance at Rachel Uffner

Édouard and Nélie’s infatuation for Gian Giacomo Poldi Pezzoli

Adriano Costa: from white socks to Brazilian waxby Stefano PirovanoIntroducing Brazilian artist Adriano Costa and his object-based manipulation of reality, sexuality and ordinary inequalities.