Conceptual Fine Arts

Speaking with Tacita Dean, about Tacita (in preparation to her new film première in Paris)

Cesare Ripa, Iconology’s father and ancestor of the “form and info” (to be discovered online)

When The Exorcist spoke about Vermeer and Leonardo da Vinci

Respect to Gillo Dorfles, the oldest living art critic, 103

Leo Gabin: shocking videos (with teens) at the service of traditional paintings

Thanks to NSA and GCHQ Europeans don’t need confessionals anymore

Tiziano and the conceptual program of his “Poems”

With Amnesty International at the finissage of “L’Age d’Or”, the controversial Adel Abdessemed’s solo show in Doha

Torey Thornton, tricks and strokes (from a phenomenological perspective)

“We painters use the same license as poets and madmen”, Paolo Veronese claimed in front of the Inquisition

Discover CFA’s contribution to Radio Aporee

Art in novels: when José Saramago wrote about Valeriano Trubbianiby Stefano Pirovano

A seminal Marco Basaiti to be discovered while waiting for the set-up of Galleria dell’Accademia in Venice

Yoan Mudry

Artist, are you following the Crystal or the Flame?

Art in novels: with “The real thing” Henry James grabs the essence of being an artistby Stefano Pirovano

At the Uffizi to experience the b-side visibility

Our first post of 2014 is writer Alain Elkann interviewing Fabrizio Moretti, gallery owner, collector, philantrophist and beloved publisher of Conceptual Fine Arts

Using old critic tools to read a new artwork would be a way to miss its novelty

Bramante: some links between form and info become surprisingly stronger in time