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At NY art week’s auctions: masters fly, youngsters resist, Bonami stumbles

12th May, the Sotheby’s auction opening the contemporary art week in New York started off with a bang: Mark Bradford...

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Venice Biennale 2015: at Corderie it’s about time to reactivate the selling office

  At the gate of the international exhibition at the Corderie an ambitious introductory text informs the general public and collectors...

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Interview: Rijksmusem’s head of exhibition Tim Zeedijk

Reopened to the public on 13 April 2013, after a ten-year renovation managed by architecture firm Cruz y Ortiz and...

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clino trini castelli

In dialogue with Clino Trini Castelli and the no-form side of creativity

by Stefano Pirovano

We sat down with Clino Trini Castelli, the friend of Arte Povera artists who invented the no-form design (years before...

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A unique MOCA to remind Alexis Tsipras that not all the oligarchs are the same

We don’t know whether Basil and Elise Goulandris would have been happy or not about the resounding Syryza’s victory in Greece,...

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At the Middelheim Museum time is a constructive reality (featured by artist Kader Attia and the Cave Painters)

Surely one of the most important sculpture parks in Belgium, the Middelheim Museum in Antwerp hosts more than 200 outdoor...

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Ugo Mulas, “Marcel Duchamp”, New York, 1967. Fotografie Ugo Mulas © Eredi Ugo Mulas. Courtesy Archivio Ugo Mulas, Milano - Galleria Lia Rumma, Milano/Napoli. On show at “Ugo Mulas. La fotografia”, museo di Santa Giulia, Brescia (until 14 july 2014)

A message from master Ugo Mulas to all the art trotters on Instagram

  The photographer Ugo Mulas has been not only a wit observer, but also a reliable interpreter of what happened...

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Torbjorn Rodland, ACV09, 2009, silver gelatin print on baryta paper, 27.7 cm x 22.3 cm x 3 cm (10-7/8" x 8-3/4" x 1-3/16"). Courtesy the artist.

Mapping the comics trend at Pace London

    The upcoming exhibition “Everything falls faster than an anvil” at Pace London is not the last art cocktail mixing...

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Mr. Falckenberg please choose: does every era get the art it deserves or is every work of art the child of its age?

    Some days ago we have discussed about the essay published one Mousse magazine by Jens Hoffmann. It follows...

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Master Paroto, "Madonna and Child with Saints", 1447, Oil on canvas, 131 x 200 cm, detail, Brescia, collection CAB Foundation

Master Paroto and the origin of his quirky sweetness

  The Polyptych by Master Paroto, “Madonna and Child with Saints,” 1447, is a work of great charm: for its...

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In dialogue with Martin Roth, the man who is conceptualizing the V&A

After ten years at the guidance of the Dresden State Art Collections, in September 2011 Professor Martin Roth was appointed...

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