Timetable

What will be remembered about Miami art week 2014?

At the show with the artist: May Hands visits JMW Turner at the Tate Britain

Sons of Florence: a dialogue between Fabrizio Moretti and Massimiliano Giornetti

Soon an international call to direct the 10 leading Italian museums (including the Uffizi)

With Ryan Foerster the stream of consciousness turns solid

Scientific analysis of Oscar Kokoschka’s portrait of actor Ernst Reinhold reveal a mysterious under-painting

The Dominic Samsworth’s case: can artists be the most compelling writers about their own work?

The winning model: Louvre Lens celebrates its second birthday

The tapestry company: Gino Saccone, Margo Wolowiec and Pieter Coecke van Aelst

Visit Gustave Moreau’s atelier and become suspicious of certain unproductive emerging artists

In dialogue with Peppi Bottrop and his monumental deconstruction of geometry

At the show with the artist: Arianna Carossa smells Pieter Coecke van Aelst’s seminal exhibition at the Met

Julia Rommel’s intimate conversations on definite at Sorry We’re Closed, Brussels

The small barrel preserves the best wine: Paris Tableaux 2014

To be discovered: the quasi-science of Adrien Lucca

The golden age of Siena’s painting regains strength at Bozart (with a special guest from Boston)

At the show with the artist: Jutta Koether lights up Rosso Fiorentino, Piero di Cosimo and Botticelli

History of art in a personal theatre: seminal Paul Delvaux’s retrospective at the Musée D’Ixelles

Also at the Turin’s art week the conservative looks young, but the smart collector is going back

At the show with the artist: novelist Chiara Zocchi visits Gianni Caravaggio’s current double retrospective

Modern & Impressionists’ record asserts the Loeb effect on Sotheby’s

How to turn an art fair booth into an unforgettable exhibition room? Ask to GCC collective

At the Royal Academy for the first comprehensive G.B. Moroni’s solo in the UK

The explosive relationship between Fontana and Klein under investigation in Milan

At Rodolphe Janssen, Peter Sutherland tests the Law of Reversed Effect

Sir Anthony Van Dyck to illustrate UN’ statement about travellers from Ebola-affected countries

London is blossoming, but this time FIAC does it better

Goethe writes the software for the late Turner currently at the Tate Britain

The double face of Fiac (Off)icielle: locals vs. Los Angeles

In the last days of his solo show in Turin Jason Dodge replies to our Proustian questionnaire

Rembrandt’s late works at the National Gallery, the ultimate exhibition

In response to Phillips’ bad day, a Focus on Frieze Focus, and a hop to Sunday

Frieze Masters 2014: a step forward into quality

David Altmejd’s retrospective in Paris: nightmares have never been so beautiful

Did you know Marcel Duchamp was an excellent painter?

Art novels: visual art according to writers

Venice, first main show about the Marchesa Luisa Casati

Jason Matthew Lee, the hacker who is cracking into the gallery room

Recent scientific analysis reveal the “gold” of Giovanni Segantini, currently in Milan

Fireplace mantels or Triumphal Arches? Strauss Burque-LaFrance at Rachel Uffner

Édouard and Nélie’s infatuation for Gian Giacomo Poldi Pezzoli

Adriano Costa: from white socks to Brazilian wax

The 9 museums about to open that will reshape the world’s culture geography

At the show with the artist: Ryan Gander dispatches an art forger to Rembrandt’s Anatomy lesson

In dialogue with François Odermatt and the instinctive side of collecting

A suffering Saint Agatha is waiting for you at the Biennale des Antiquaires

At “Perugino master of Raphael” two paintings seeking for a conceptual reading

Jack Greer and Walter Benjamin share the room at Bugada & Cargnel in Paris

Four pieces under 1m to catch at the Biennale des Antiquaires

Back from the Yokohama Triennial Elias Hansen answers to our version of the Proust’s questionnaire

At the Biennale des Antiquaires 2014 welcome to the eclectic side

Look at the back side if you really want to know them: the countdown for Francis Picabia at the MoMA and Kunsthaus Zurich has started

Ilja Karilampi at The Suzanne Geiss Company: the beauty of art comes from the beauty of info

In preparation for the 27th Biennale des Antiquaires at the Grand Palais

Jana Euler at Kunsthalle Zurich: whole counts more than single parts

The helping hands of fashion and luxury is saving Italian monuments

Matthew Day Jackson at Hauser and Wirth Zurich: where has the mountain guide gone in the meantime?

Pinturicchio in San Gimignano and the dark matter of which the Italian exhibitions are made of

Wyatt Kahn’s dancing puzzles go sentimental at the Zurich art weekend

A Medieval Specula Principum book at the basis of Slavs and Tatars’ solo exhibition since yesterday at Kunsthalle Zurich

Roman series: the new venue of the Fondazione Prada will open in Milan under the influence of classic sculptures

Leading contemporary artists get inspired by Pieter Coecke van Aelst: soon at the Met the golden age of tapestry will give you some tips

Answering three basic questions asked by Antoine de Galbert about the software driven setting of his collection currently on display at La Maison Rouge in Paris

Sam Falls: soon in Zurich a body of new works on canvas plus an unforeseen self-portrait

New Hauser & Wirth Somerset opens debate on art delocalization

A hint of genuine French pessimism to remind that too many tourists can easily turn the beauty into a beast

Living a gallery performance by Yvonne Rainer and the endless possibilities of minimal art

To the new Jeff’s megamaison in NYC Damien replies from Ilfacrombe with 750 new buildings

At the show with the artist: Jeannette Montgomery Barron visits Palazzo Massimo in Rome

Has Martial Raysse been influenced by the Pop artists? Apparently less then Piero del Pollaiolo…

Elias Hansen: blown glasses preserving moments of anger

In Reims Imi Knoebel and Marc Chagall set a unique comparison between figuration and abstraction