Timetable

Brussels: at Brafa 2016 seeking an art truth (the spectacles of the aggregator)

The Getty pays 30 millions for Gentileschi’s Danae, but the nano Raphael stays in Europe

In Florence for a very close encounter with the only sculpture Giambologna made for himself

Emerging artist Tschabalala Self and the collective fantasies surrounding the black body

First results from Pieter Coecke’s Martyr of St Paul tapestry cartoon’s restoration

Giuseppe Iannaccone: comfortably unaffected by trends (an interview)

I love Aby Warburg’s ideas of re-establishing pathos: an interview with Amie Dicke

Back in 1965: artist Pietro Consagra sheds light on some shamelessly phallic architectural elements

Carlo Portelli: a seminal exhibition retraces his mastership

From Bermondsey to South Bermondsey, will artists endure forthcoming gentrification?

Domenico Ghirlandaio’s first last supper emerges from 12 years of hibernation

A distinct trend in 2015? Old masters’ presence in the room of contemporary art

Restorer Umberto Senserini reveals outcome of Piero della Francesca’ Resurrection cleaning

‘I have zero interest in being part of good taste culture’: an interview with Lucy McKenzie

Art Basel Miami Beach 2015, the Noah Horowitz edition: a synoptic diary

Recto Verso at the Fondazione Prada: a semipolitical reading

Peeking into the unwritten future of contemporary art galleries’ depots

Once upon a time in Palermo, when Islam and Christianity were walking side by side

Interview: what do you know about art collector Jeff Koons?

Venice Biennale the day after: how All The World’s Futures affect local future

Andrea Del Sarto prised at the Frick but his masterpiece is yet to be discovered

What makes one’s liking come? Clara Thomine asks in her first solo show

Museums reopened in Paris after terrorist attacks

Paris Tableau 2015, a sensual option for the lateral art collector

Andrea Romano’ see-through doors at Gaudel de Stampa: “pure and autobiographical”

Boijmans Public Depo project approved: how will art collectors respond to its revolution?

58 out 77 lots of Taubman’s collection were bought at Sotheby’s: but all the top pieces came from art dealers

Urban Zellweger: his first interview was on a lovely sunny day

Art collector Luigi Magnani: “I am not friend with antique dealers, I don’t attend auctions, I don’t visit exhibitions”

New York: the missed Donatello’ is likely not alone

At the show with the artist: Marina Rheingantz visited Concrete Cuba at David Zwirner

The day after 200.000 people attended Frieze and Fiac someone have to make a decision

London vs Paris: 60 portraits by Goya reply to the Medicis’ epiphany at the Jacquemart André

Is Frieze London putting pressure on emerging art?

On some forgotten photos of Andy Warhol and his legacy as an art collector

Frieze Masters 2015: a large scale process of understanding is taking place

Interview: Miguel and Vera Chaia tell why their art collection looks like a lighthouse

‘I keep on bringing objects from one place to another’: Rodrigo Matheus solo show at Ibid. London

“Florence, Portrait at the Medicis Court”: a seminal show that works better than any economic data

At the show with the artist: Peppi Bottrop visits “Mondrian. The Line” at Martin Gropius Bau

Art in novels: “The Illogic of Kassel”, aka the Avant-Garde’s decline, by Enrique Vila-Matas

An interview with Hans-Adam II Prince of Liechtenstein

“I think art is more powerful as a poisoned Kool-Aid”: an interview with Bradford Kessler

BIAF 2015 places Koons near Michelangelo promising Florence a new Renaissance

David Freedberg: “the days of scholarship for its own sake are over”

In the day of Tsipras’ victory what is better than peeping into the blossoming of Greek art residencies?

Is really Giotto we are looking at?

When Nicolas Party met Giotto (an interview)

September auctions expected to open the door for latecomers and forerunners

At the show with the killer: American Psycho visits George Stubbs’ mini-show at the Met

Interview: Anke Weyer about that “constant crisis management” called painting

Interview: Richard Knight explains new joint venture with Fabrizio Moretti

With Laura Biagiotti visiting her private collection of futurist Giacomo Balla

That ancient Greek Slave who Hiram Powers turned young through a chain

Italian reforms: a recent law may open a new era for quality architecture

500 years anniversary of Hieronymus Bosch’ death calls for this rare writing by Dino Buzzati

10 more options to substitute the coercive Autumn art fairs’ agenda

10 upcoming museum exhibitions to substitute the coercive Autumn art fairs’ agenda

20 Italian top museums’ new directors announced: where is the bug?

A relevant debate on the Italian cultural heritage’s new reforms is about to happen

At the show with the artist: writer Chiara Zocchi visits Thomas Hirschhorn in Sardinia

The Lost Museum at the Bode: info keeps alive what war once killed

Art in novels: Utz, by Bruce Chatwin

Arts and Foods: finally a seminal show in Milan (that was not that expensive)

Focus on Brazil: in the long term Eliseu Visconti wins if Europe makes war

At Pivô in Saõ Paulo a new programme to refresh Brazilian art godfathers

Museu de Arte de São Paulo inspects its former director Pietro Maria Bardi

Matthew Lutz-Kinoy and Federico Herrero: around space and through painting

Focus on Brazil: new Rocinha’s literary café is waiting for your art books

Fine art collector Jeff Koons to inaugurate the BIAF in Florence: isn’t it smart?

Schaulager: the first public depo is finally fully operational

Duccio and Sir Anthony Caro handling the same space, currently at the National Gallery

At Art Basel 2015 being young is deadly expensive

Art Basel week 2015 starts at Liste with two promises: Flora Hauser and Olga Balema

At Musée d’Orsay Pierre Bonnard and Marthe fall in love again with a bathtub called abstraction