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Jamie Fitzpatrick enchants Artissima with his sinister symbols of power

by Stefano Pirovano

One of the names that stood out last week at Artissima in Turin is of London based talent Jamie Fitzpatrick....

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That’s how they are doing it in Finland (an interview with Leevi Haapala)

by Maria do Carmo de Pontes

Kiasma‘s director since June 2015, Leevi Haapala knows the vibrant Finnish contemporary art scene and its near future like few others....

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Paris: a pivotal exhibition reintroduces 1930’s American masters

by Stefano Pirovano

There is a great season of figurative painting that main art fairs are currently neglecting and very few art dealers,...

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An interview with Rashid Johnson: “I was more African before going to Africa”

by Paul Laster

The youngest artist in the Studio Museum in Harlem’s seminal 2001 exhibition “Freestyle,” Rashid Johnson embraced curator Thelma Golden’s controversial...

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Aaaahhh!!! Calouste Gulbenkian would be proud of hosting such an art fair

by Stefano Pirovano

Paris Internationale is becoming great contemporary art fair. Born just three years ago from the ashes of Paris Officielle, now it looks...

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The National Gallery goes ‘Beyond Caravaggio’ placing a sexy milestone in master’s career

by Geoff Hands

Regretfully, we shall never have the pleasure of viewing, ‘Caravaggio: The Late Works’. Would we have seen something akin to...

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Rome, #quadriennale2016: the best map of the Italian contemporary art is still too lazy

by Stefano Pirovano

N Rome. Eight years after the last edition took place – in 2012 a book was published as a substitute...

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Data culture or data for culture? What survey metrics in decision-making can and can’t do for the arts

by Piero Bisello

There has been recent media coverage for a test in which Arts Council England (ACE) experimented a set of standardised...

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Six comforting steps to cover the London contemporary art week

by Stefano Pirovano

Yesterday we heard a couple of Swiss collectors complaining about the fact the Regent’s park’s art fair had released too...

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Interview: Malta Campos, one of the only 3 painters invited at the SP Biennial (out of 87 artists!)

by Maria do Carmo de Pontes

Antonio Malta Campos (São Paulo, 1961, where he lives and works) started to produce oil paintings soon after being accepted...

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London: Collezione Maramotti, Moretti Fine Art and an opportunity named Atelier dell’Errore

by Stefano Pirovano

  Luca Santiago Mora is a slim man in his forties, or fifties. We met him a few months ago...

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Michael Rey at ZERO… gallery: “The uncanny is not something you can produce at will”

We had never visited his studio, met him in person, or read any article about him before. When a few...

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Willem de Kooning, Cross-Legged Figure, 1972.

Hiltiland, where dreams come true

by Stefano Pirovano

President of Hilti Art Foundation Michael Hilti sits down with CFA to discuss about the strategy behind his family's extraordinary...

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At a crowded Berlin art week Anne Imhof converts Angst into hope

by Stefano Pirovano

The only detail that didn’t work last Wednesday night at the Hamburger Bahnhof was a sign placed on the welcoming...

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Biennale des Antiquaires’ last edition: for Paris it is a new beginning

by Stefano Pirovano

  “Some wealthy people like mega yachts, some others prefer to build their own art museum” told yesterday to CFA...

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A curator is born: a look at Kenya’s first curator’s workshop

by Zihan Kassam

Until recently, the number of curators in Kenya could be counted on one hand. Two, if you were kind. The...

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At the show with the artist: Claudia Losi visits Pontormo, with some lenses and a sentimental guide

by Stefano Pirovano, Claudia Losi and Mauro Sargiani

The 25th talent contributing to our section “At the show with the artist”, a section inspired by the seminal group...

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Late Summer’s healthy practices: put these three museums of Stockholm on your art agenda

by Maria do Carmo de Pontes

Being one of the wealthiest cities in the world, it is unsurprising that Stockholm boosts an exciting cultural life. From...

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11 smart moves to access the coming contemporary art cycle

by Stefano Pirovano

A new contemporary art season is coming, and hopefully the art writers will have soon better topics to write about...

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Barbara Hepworth Museum, please touch me!

by Geoff Hands

To reference a northern English expression, an anonymous ‘cheeky little monkey’ had attached a cartoon chimpanzee sticker to the figure...

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At the show with the artist: Brendan Michal Heshka’s psycho psychoanalysis of the Fin-De-Siècle Museum

by Piero Bisello and Brendan Michal Heshka

We came across the work of Canadian artist Brendan Michal Heshka in Brussels at the independent art fair Poppositions last...

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Georgia O’Keeffe at the new Tate: the unexplored about women that only a woman can explore

by Geoff Hands

It’s a hot summer’s day in London; looking up at the surrounding high rise buildings, including the new £260m extension...

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C.Ar.D plus Vigoleno: healthy remedy for the lifeless tourism and white cubes

by Stefano Pirovano

Tourists visiting Italy are generally well aware of Tuscany, Umbria, or Marche. They are familiar with their beautiful hilly landscape,...

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Is Art Basel planning to invade the online sales’ territories?

by Stefano Pirovano

A few days ago MCH group, the 100-year-old international live marketing company owning Art Basel, officially announced the acquisition of...

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How Italians got crazy over Christo’s floating piers and ignored Bellini’s 500 years anniversary

by Piero Bisello

2016 marks five hundred years since the death of Venetian painter Giovanni Bellini, the seminal artist who embodied the transition...

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To be discovered: Catherine Biocca and her flirtation with violence

by Stefano Pirovano

Most of the many experienced observers who visited the last edition of Liste art fair in Basel may have noticed...

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World’s growing “uncertainty” staged soon at the SP Biennial with some visual and sexual doubts

by Maria do Carmo de Pontes

A spectre is haunting the world – the spectre of uncertainty. 2016 may enter history not just because of the...

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The Tate Britain Commission: Pablo Bronstein and the art of being a viewer

by Geoff Hands

Tate Britain, the oldest of the four Tate Galleries, still resonates as a Temple for Art, with a grand porticoed...

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Who of these two men will finally turn Milan into an international art capital?

by Stefano Pirovano

Concerning culture, Milan is no longer the listless city it used to be during the period that went from the beginning...

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Art Basel 2016: a positive reaction to the impossible Brexit

by Stefano Pirovano

It’s raining in Basel, like last year, and British people, the second art market in the world by value, will...

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Restorers rejuvenate Filippo Lippi’s pivotal Martelli Annunciation

by Stefano Pirovano

Florence. The solemn annunciation executed by Filippo Lippi around 1440 for the Martelli Chapel in the Church of Saint Lawrence was...

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