The Tokyo-based gallery MISAKO & ROSEN (an interview)by CFAHere is our last interview with gallerists: MISAKO & ROSEN and their bridging role between Japan and the rest of the art world
The story of the Demidoff Triptychby Alberto LenzaAnalysis, collecting history and attributive hypotheses regarding a vibrant triptych whose mysterious author today is no other than the Master of the Demidoff Triptych
Kelly Tissot: altered spacesby Yann Chateigné TytelmanThrough photographs and sculptures, Kelly Tissot channels the spectres of life in what she terms “the abandon promise of the rural utopia”
Giovanni Comin’s Putto with a Skull and a Bookby Maichol ClementeAn analysis of a 17th century Venetian Baroque sculpture by Giovanni Comin, which meditates on death and defeats the call to worldly goods
In love: on the art of Angharad Williamsby Stefano FaoroSpending time with Angharad Williams’ work raises some questions: how much does an artwork exist? What are the politics of latency?
From MAN in Nuoro to Artissima: an interview with Luigi Fassiby CFA (from Turin)Luigi Fassi is the new director of Artissima, the contemporary art fair that promises to bring art's future to Turin
Six highlights from Paris Internationale 2022by CFA (from Paris)Here are our picks from the eighth edition of Paris Internationale, one of the biggest and most ambitious yet
Three stages of image reificationby Sofia SilvaA personal introduction to the art of Daniel Graham Loxton, Matthew Peers, and Jens Fröberg
A history of light in Renaissance art through Olafur Eliassonby Arturo GalansinoThe current show of Olafur Eliasson "In Our Time" at Palazzo Strozzi is the ground onto which to build a history of light in the Renaissance
On Kim Farkas’ vesical sculpturesby Stefano PirovanoKim Farkas pursues the Kantian idea of the manifold forming a unity as a concept that leads to pleasure (and the first edition of Paris +)
