Every ticket wins: hyperpositivity in the work of Elif Saydamby Miriam BettinElif Saydam’s references are literal but overstimulating. The overflow of information makes you at times dizzy—and tired
Josefine Reisch: if history is a stageby Veronica GisondiJosefine Reisch and not letting yourself "become part of the killer story." An essay inspired by the carrier bag theory of Ursula K. Le Guin
Death helps life in the anatomical theatreby Silvia TomasiAnatomical theatres were the literal and metaphorical houses of anthropocentrism. Are they resuscitating today?
Denicolai & Provoost and six artist comicsby Piero BiselloWhat are artist comics really? A selection of six best examples from the collection of Belgian artist duo Denicolai & Provoost
Larissa De Jesús Negrón’s path to enlightenmentby Veronica Gisondi"Things tend to build up and then you’re left with a bunch of anxiety and jealousy that you don’t understand." On Larissa De Jesús Negrón
Alternatives from the periphery: Pierre-Olivier Rollin and the BPS22 (an interview)by Sonia D'AltoHow do global politics from the province look like? An interview with Pierre-Olivier Rollin, the director of BPS22 in Charleroi
Luca Pacioli and the mathematical Renaissanceby Antonio CarnevaleThe Renaissance mathematician Luca Pacioli is the crystalline symbol of his shattered dream: an orderly word expressed in numbers
Elene Chantladze: where art landsby Stefano PirovanoAn artist by instinct and not by profession, Georgian Elene Chantladze shows the self-confidence of an established master
Ser Serpas walksby Dora BudorSer Serpas skims the surfaces of the streets and lots, "attempting to rip something from the refuse piles"
Horace Pippin is a misunderstood realistby Sofia SilvaLabels such as "primitive," "naive," and "folk" can conceal prejudice and racism. Horace Pippin was a realist instead
