A painter from Umbria or Marche, a quasi-Rinaldo di Ranuccioby Angelo TartuferiThe compelling analysis of a late 13th century painted crucifix, with its shifting attributions and historical relevance
Four picks from June Art Fair 2022by Conceptual Fine ArtsWhat we enjoyed the most at June Art Fair, the youngest and most up-and-coming fair to populate the Art Basel week
Four picks from Liste 2022by Conceptual Fine ArtsFour highlights from this year's edition of Liste, Basel's great historical fair for emerging artists and galleries
Private Renaissance: Antonio Minello’s Apolloby Andrea BacchiBetween different attributions, owners, and interpretations, we tell the troubled story of the carved Apollo by Antonio Minello
Justin Chance: running a sewing machine through a picture planeby Samantha OzerJustin Chance utilises a material structure of dissemination to speak to broader issues of political networks and the power of language
An interview with gallerists Downs & Rossby Conceptual Fine ArtsBorn in 2017 from the merger of Hester and Tomorrow, Downs & Ross is a leading gallery focusing on emerging art and specific New York histories
Giacomo Jaquerio and Castello della Manta: new attributionsby Simone Bonicatto (from Nuovi Studi 26, 2021 anno XXVI)Between the Duchy of Savoy and the Marquisate of Saluzzo: a new proposal for Giacomo Jaquerio in Carmagnola and some reflections on the Manta Castle cycle
An interview with Isabella Ritter of LambdaLambdaLambdaby Conceptual Fine ArtsWe chat with Isabella Ritter, co-founder and co-director with Katharina Schendl of Pristina and Brussels-based gallery LambdaLambdaLambda
Cassidy Toner, gambling as a career planby Paolo BaggiCassidy Toner stages repeated artistic misfires to better diffuse anxiety, pressure to perform, or the legibility of an artwork
Three emerging favourites at Art Brussels 2022by Conceptual Fine ArtsThree picks from the emerging stratum of the art market, found in the first post-pandemic edition of Art Brussels
