Kengné Téguia’s concentric circlesKengné Téguia's artworks are objects that call forth to grasp the artist's own questions, as well the meanings in their appearance and sound.
Lisa Dalfino & Sacha Kanah, living and non-living beingsIntroduction to the work of Lisa Dalfino and Sacha Kanah starting from their second solo exhibition at Clima gallery in Milan.
Disclosure & Disbelief: Kaloki Nyamai at the Stellenbosch TriennaleKaloki Nyamai hits a nerve at the Stellenbosch Triennale with his provocative installation about about race, false borders and shared resources.
Best museum displays: it’s time to go back to our rootsA virtual journey through museum displays that have marked European art history. Enforced closure may soon offer an opportunity to spark a debate.
Lucas Blalock: a criminal, a lover, an old man, a policeman, an artist, a spy, a nice guyAn in depth look at Lucas Blalock’s performative approach to photography, and the dynamic relationship to art history at play throughout his work.
Scholar and art collector Sultan Sooud Al Qassemi, an interviewWhat happens when human studies lead the soul of a natural born art collector? We asked Sultan Sooud Al Qassemi.
COVID-19: art is that window you need to keep openWhile the Coronavirus is rescheduling 2020 art world's agenda, someone may think it is the time to get smart and experience art and content online.
Renata Boero by Paolo Fossati (anno 1977)We propose a translation and contextualization of a 1977 text by seminal art historian Paolo Fossati about Renata Boero's painting.
Do I still have to call it art magazine?Digital media has been rapidly changing the way the art world is communicating. Here is how art agencies step in the realm of the art magazines.
Simone Peterzano: master of Caravaggio and censorship’s survivorSimone Peterzano was a pupil of Tiziano, and the master of Caravaggio. But he had to compromise with the Church. Discover all his public works.
