The figure of the rope between gore, eros and faithGoya, Lady Gaga, Man Ray, Giulio Paolini, Georg Baselitz, Jake and Dinos Chapman, Antonello & co., all tied together to a vibrating rope.
Bathing for gourmets: an interview with Leonard KorenWe look into fine bathing and the pleasure of inefficiency through an interview with artist, aesthete, and polemist Leonard Koren.
Why take an artwork from the place it was made for?Bringing works of art out of museums and back to their places of origin is what we should do: the future may begin in the church of Santa Corona in Vicenza.
Not afraid of craft: the Van der Kelen Logelain school of decorative paintingWe feature the Van der Kelen Logelain school of decorative painting in Brussels, a recognized springboard for important contemporary and applied artists.
No leap is ever into the voidA saga of artist jumps through the work of Hsieh, Mureșan, de Dominicis, Perrone, in the wake of Yves Klein's famous leap into the void.
At the show with the artist: Gabriel Kuri on Lucio FontanaAn exchange with Gabriel Kuri on Lucio Fontana's "Ambiente Spaziale," exploring the boundaries of installation and sculpture in both artists' work.
Who says crises foster creativity?For those who still believe that suffering yields good art, we show that plagues, wars, and oppression have never been the engines of creativity.
Jaanus Samma, the many gay histories of Modern Eastern EuropeEmerging artist Jaanus Samma deals with stories of homosexuality in his home country of Estonia, both under the Communist regime and after its collapse.
An open letter to Italian museums: the web is your vaccineMedia dilettantism and digital ignorance can harm Italian museums, which should be aware of their cultural role in society and play it with rigour.
Emerging artists to watch: Kaoru Arima and his facial (un)recognitionKaoru Arima's pictures of faces are paintings for an alternative, straightforward portraiture: romanticism no more; agendas no more; ego no more.
