Achraf Touloub: paintings as facts of themselvesBreaking lines and signs, saying the opposite of what it seems: an introduction to the paintings of Achraf Touloub
Kate Mosher Hall: perceptual limbos and moiré-noirsA reflection on the not purely painted - but not just printed - canvases of Los Angeles artist Kate Mosher Hall
It’s dark but just a frame: the drawings of Kyung-MeWho and what exactly appears in the drawings of New York-based artist Kyung-Me, one asks, getting lost in their rich darkness
Famous questions and the paintings of Sofia SilvaThe paintings of Sofia Silva do not want to please. Here, questions are prompted as to what they offer instead
Sophie Reinhold: don’t get used to itThe coated, fetishistic superficiality in the art of Sophie Reinhold engages a political agency built on a powerful sense of carnivalesque joy and hope
Pretty hurts: the skinny legends of David RappeneauThe storytelling technique of David Rappeneau is realism brushed with the fantastic. His neo-libertines seduce the communally divine
Challenging the perspective: on the art of Nina ZeljkovićNina Zeljković in the Eugster || Belgrade booth at Artissima 2022 was a gem from the fair’s emerging sector. Here is a take on her art
Kelly Tissot: altered spacesThrough photographs and sculptures, Kelly Tissot channels the spectres of life in what she terms “the abandon promise of the rural utopia”
In love: on the art of Angharad WilliamsSpending time with Angharad Williams’ work raises some questions: how much does an artwork exist? What are the politics of latency?
Three stages of image reificationA personal introduction to the art of Daniel Graham Loxton, Matthew Peers, and Jens Fröberg
