Timetable

Napoleon’s dream: a step forward to its revival in Abu Dhabi

Are we entering the post-curator era?

Revealing Giacomo Pozzi Bellini: a master of artwork photography of the XX century

Peeking into the new building of the Fondation Louis Vuitton, and into its software

Visiting a confortably empty church in Florence to discover a seminal Filippino Lippi

James Turrell, illusion and reality according to novelist Geoff Dyer

What does happen when museums forbid their visitors from taking pictures?

The Still House Group in Miami: message in a photocopier

Look at the Museum of Castelvecchio to understand that is too early to bet on Italy’s renaissance

Bumping into Ryan Estep through our Proustian questionnaire

Preview of the extraordinary Pontormo’s Visitazione currently under restoration

At the show with the artist: Davide Stucchi visits Frida Kahlo / Diego Rivera

The increasing tensions between China and Japan mirrored by a beautiful monkey

An encounter with Tintoretto’s White-Bearded Man, driven by novelist Thomas Bernhard

The last Fugue played by Thea Djordjadze is at Francesca Kaufmann, Milan

Waiting for “The Monuments men”, starring George Clooney, Matt Damon, Daniel Craig and Cate Blanchett. Coming soon…

An irreverent soundtrack: the Iron Maiden accompanying Cima da Conegliano

The Robben Island prison, sketched in 2002 by artist and former prisoner Nelson Mandela

In dialogue with Martin Roth, the man who is conceptualizing the V&A

David Ostrowski’s emotional paintings (a solo show at Simon Lee)

At the show with the artist: Luca Trevisani visits “Il 600 lombardo”, Accademia di Brera, Milan

Laure Prouvost answers our Proustian questionnaire

What is art? Give ’em what they know, and when you’ve done it do it again (Rudyard Kipling)

Ridolfo del Ghirlandaio: the Renaissance propaganda in Palazzo Vecchio

In dialogue with Ed Lachman: from the movie set to a gallery space in Paris

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Global Activism, a new episode of the political art movement, soon at the ZKM

Italy, good luck

Six Impossible Things Before Breakfast (with Ross Iannatti, Dylan Lynch, Torey Thornton, Morgan-Richard Murphey, Grear Patterson, Landon Metz)

Behind the scenes at Palazzo Cusani for a better understanding of Allora&Calzadilla’s disillusioned sight on politicians

As proved by Brauner’s enucleated eye, our future is written in the artworks

A useful critic line: think of artworks as emotional information

The Omer Fast theory: “Everything that rises must converge” to sex

The multi-faceted Louis Delaport: an inspiring character for the new generation of art collectors

Christian Rosa: when the market is faster than critics and curators

Happy birthday Mr. Bronzino

How can we calculate the value of an ancient work of art? A short love story…

When fireworks and artworks have something in common: a group show with Paul Cowan and other nine artists, currently at Cell Project Space

Looking behind Ella Kruglyanskaya’s painting

Sick of your mass luxury items? Try with the culture symbols

Homesickness: the masterpiece by Andrea della Robbia in the Paul and Gill Ruddock Gallery at the V&A

Bill Viola and the importance of making visible what can not be seen

Can we look at the works by Andy Warhol through new means?

Dakis Joannou’s impulse for design (and objects)

The third episode of the Parisian trilogy of dreams: Philippe Parreno at the Palais de Tokyo

The transfigured transfiguration: shaping Giovanni Bellini’s fragments

Elmgreen&Dragset with “Tomorrow” at the V&A: the exhibition begins when you are back home

Today is the last day of Giuseppe Penone’s seminal show at Versailles. Conceptual fine arts dialogues with the master (not talking about Arte Povera)

Why to pay a huge amount of money for a minor piece by an old master when you can buy a masterpiece from an emerging artist?

Great art is about art, as Roy Lichtenstein demonstrates (at the Centre Pompidou)

From Nan Goldin to old masters, and return

The essence of Conceptual Fine Arts captured in a photo (by Thomas Struth)

A Canaletto returned to its original setting, unfortunately just for a few weeks

Milan, Church of Sant’Angelo: what good is having such treasures if no one can see them?

Night gallery opening at Fiac 2013: the Paris art scene devoted to the snoopy Americans

Fiac 2013, day one, new collectors and deceptive hopes

Ryan Foerster and seven pieces shaped by hurricane Sandy, currently at Galerie Bugada & Cargnel in Paris

The beautiful rendez-vous between Sophie Marceau, the Grande Odalisque and the talented daughter of Jane Birkin at the brand-new Galerie Cinéma

Visiting Balthus at the Met, thanks to a sensitive colleague of the artist

What if they put a coffee shop in the Parthenon?

The utopia-inspired archaeological collection of the tenor Evan Gorga for the first time on show in Rome

Frieze Art Fair 2013: day third, a refreshing visit at the Sunday Art Fair

Frieze art fair 2013, second day: Arab women and a Wade Guyton

Frieze Art Fair 2013, impressions from the opening

Be careful to art critic Jerry Saltz, alias Jerry the fox

Once cloned Tutankhamun’s tomb, who will be the next one?

Allora&Calzadilla in Paris: when the introductive text overwhelms the work on show

At the Gallerie dell’Accademia, in Venice, visiting “Leonardo, l’uomo universale” to discover the conceptual side of the genius

Pierre Huyghe retrospective show at the Centre Pompidou: talking about freedom

Is a dream what the old Continent really needs?

When Josef Albers stated “we have to change method in art teaching”

Gerhard Richter, estimated net worth 450 billion

Lucio Fontana, Alighiero Boetti, Alberto Burri on sale at Sotheby’s Italian Art sale auction (October 17th)

Paolo Uccello and the autonomous construction of an object in itself