From Bermondsey to South Bermondsey, will artists endure forthcoming gentrification?by Maria do Carmo M. P. de Pontes
Restorer Umberto Senserini reveals outcome of Piero della Francesca’ Resurrection cleaningby Antonio Carnevale
‘I have zero interest in being part of good taste culture’: an interview with Lucy McKenzieby Henry Andersen
Peeking into the unwritten future of contemporary art galleries’ depotsby Maria do Carmo M. P. de Pontes
Once upon a time in Palermo, when Islam and Christianity were walking side by sideby Antonio Carnevale
Boijmans Public Depo project approved: how will art collectors respond to its revolution?by Stefano Pirovano
58 out 77 lots of Taubman’s collection were bought at Sotheby’s: but all the top pieces came from art dealersby Stefano Pirovano
Urban Zellweger: his first interview was on a lovely sunny dayby Francesca di NardoThe system of shapes of Urban Zellweger relies on colours and foggy atmospheres, taking the way of imagination and dreams