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"Nuovi Studi"

Milan 1487: Bernardo Zenale and Jacopino de Mottisby Laura Paola Gnaccolini (from Nuovi Studi 27, 2022-2023 anno XXVII-XXVIII) A new attribution to Bernardo Zenale and Jacopino de’ Mottis, who rented a workshop together for working at the city's Cathedral

The sleeping enigma of the Arundel Pietà by Cosimo Rosselliby Davide Civettini (from Nuovi Studi 26, 2021 anno XXVI)In the castle of the Dukes of Norfolk, one of the greatest enigmas of the Florentine Quattrocento lives: a Pietà attributed to Cosimo Rosselli

Failed sales and bizarre manners: two paintings by Paolo Paganiby Paola Apreda & Odette D’Albo
(from Nuovi Studi 26, 2021 anno XXVI)Far from their birthplace and distant from their context, the strange destiny of two Baroque paintings would strike a chord with their maker

The suicide of an ancient politician in a Lorenzo De Ferrari paintingby Piero Boccardo (from Nuovi Studi 26, 2021 anno XXVI)Misunderstood multiple times, a painting in the Royal Palace of Turin is recognized as Lorenzo De Ferrari depicting Themistocles's suicide

A poet praised for his silence: Girolamo Casio painted by Boltraffioby Cristina Quattrini (from Nuovi Studi 26, 2021 anno XXVI)A new interpretation of the “Allegory of Girolamo Casio” by Boltraffio, which celebrated the poet’s gift for silence and loyalty to the Medici

Walter Monich: from Milan’s Duomo to Angevin Abruzzoby Luca Siracusano (from Nuovi Studi 26, 2021 anno XXVI)Stylistic analyses suggest Walter Monich is the author of the Annunciation in Tocco da Casauria, today in the Bargello Museum

Giacomo Jaquerio and Castello della Manta: new attributionsby Simone Bonicatto (from Nuovi Studi 26, 2021 anno XXVI)Between the Duchy of Savoy and the Marquisate of Saluzzo: a new proposal for Giacomo Jaquerio in Carmagnola and some reflections on the Manta Castle cycle