The Cathedral of Siena (whose construction began in the mid-twelfth century and completed by 1370) re-opens its “Gate of...
ContinueThe “Head of Medusa” by Michelangelo Merisi da Caravaggio (Uffizi Gallery, Florence) is an example of the parade shields...
ContinueThe name of the Belgian artist Harold Ancart is at the moment on the wishing list of many collectors,...
ContinueThe starting point for a conceptual approach to Renaissance art could be pinpointed in the flowering of the Neo-Platonic...
ContinueA few weeks ago we were in Volpedo, where we visited the perfectly preserved studio of Giuseppe Pellizza, a...
ContinueAmong the recent attempts to enhance the connection between contemporary art and the art by dead artists, we have...
ContinueThere is a particular artist whom we would like to draw your attention to, that is Andrea Previtali (Berbenno,...
ContinueIn the civic museum of Modena, there is a room that preserves the nineteenth-century layout of a wide selection of...
ContinueThere are some shows which are able to maintain the rigor of scientific studies while offering to the general...
ContinueFrom 8 March to 20 July 2014, Palazzo Strozzi in Florence will host the exhibition “Pontormo and Rosso Fiorentino....
ContinueA couple of days ago, Christie’s international head of postwar and contemporary art, Brett Gorvy, told to the French financial...
ContinueHere is how during the Second World War Rodolfo Siviero saved many Italian art treasures from the Nazi, and where...
ContinueFrancesco I de’ Medici (Florence 1541 – Poggio a Caiano, 1587) was one of the finest patrons in the history...
ContinueWe believe these lines from Kirk Varnedoe’s book “Picture of nothing” (Mellow Lecture, 2003) to be the perfect introduction...
ContinueIt takes less than an hour driving from Milan to reach Volpedo, but international tourists and art lovers don’t...
ContinueAyan Farah was born 1978 in Sharjah, United Arab Emirates. Exposed until the 7th of March at Bugada&Gargnel in Paris, Farah’s...
ContinueThe Polyptych by Master Paroto, “Madonna and Child with Saints,” 1447, is a work of great charm: for its...
ContinueFrom our perspective, the essence of the conversation between artist Philippe Parreno and curatorCarlos Basualdo put up last Thursday...
ContinueAfter visiting the new 3500 squared meters bakery-style space of the Gallerie dell’Accademia in Venice – that to us...
ContinueLast night a friend showed us this charming artwork. Take a close look at the Christ’s crossed arms and...
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