Adriano Pedrosa and the the MASP: an interviewby Maria do Carmo M. P. de PontesAdriano Pedrosa discuss with CFA his quest to make the MASP multiple, diverse and plural museum. And how to bring back its legacy
This is my truth about Chinese art: an interview with Zhu Jinshi (with a three-years delay)by Stefano Pirovano
Art damaged by calamities or human stupidity: Friends of Florence awards restorers to save itby Stefano Pirovano
The good art generates new art: a short story about Alexander Calder’s retrospective at the Tateby Geoff Hands
Neolocalism? the Glasgow effect, the Condo Complex and the zero-kilometres artby Maria do Carmo M. P. de Pontes
The Getty pays 30 millions for Gentileschi’s Danae, but the nano Raphael stays in Europeby Stefano Pirovano
In Florence for a very close encounter with the only sculpture Giambologna made for himselfby Stefano Pirovano
Emerging artist Tschabalala Self and the collective fantasies surrounding the black bodyby Henry Andersen
Back in 1965: artist Pietro Consagra sheds light on some shamelessly phallic architectural elementsby Stefano Pirovano
