Who and what exactly appears in the drawings of New York-based artist Kyung-Me, one asks, getting lost in their rich...
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At the show with the artist: Jonathan Monk includes views from other shows as a scenography, a mise-en-abyme reminiscent of...
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Misunderstood multiple times, a painting in the Royal Palace of Turin is recognized as Lorenzo De Ferrari depicting Themistocles's suicide
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The paintings of Sofia Silva do not want to please. Here, questions are prompted as to what they offer instead
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An exhibition at the Gallerie d'Italia explores the collecting of the great bankers, from the Medici to the Rothschilds, via...
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The coated, fetishistic superficiality in the art of Sophie Reinhold engages a political agency built on a powerful sense of...
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The self-exile of Roger-Edgar Gillet from Art Informel to pursue figuration soaked in tragedy has stood the test of time
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What does it mean to collect art "correctly"? We chat with Pedro Barbosa, a Brazilian collector with clear ideas on...
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The storytelling technique of David Rappeneau is realism brushed with the fantastic. His neo-libertines seduce the communally divine
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Nina Zeljković in the Eugster || Belgrade booth at Artissima 2022 was a gem from the fair’s emerging sector. Here...
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A new interpretation of the “Allegory of Girolamo Casio” by Boltraffio, which celebrated the poet’s gift for silence and loyalty...
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Here is our last interview with gallerists: MISAKO & ROSEN and their bridging role between Japan and the rest of...
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Analysis, collecting history and attributive hypotheses regarding a vibrant triptych whose mysterious author today is no other than the Master...
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Through photographs and sculptures, Kelly Tissot channels the spectres of life in what she terms “the abandon promise of the...
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An analysis of a 17th century Venetian Baroque sculpture by Giovanni Comin, which meditates on death and defeats the call...
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Spending time with Angharad Williams’ work raises some questions: how much does an artwork exist? What are the politics of...
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Luigi Fassi is the new director of Artissima, the contemporary art fair that promises to bring art's future to Turin
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Here are our picks from the eighth edition of Paris Internationale, one of the biggest and most ambitious yet
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A personal introduction to the art of Daniel Graham Loxton, Matthew Peers, and Jens Fröberg
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The current show of Olafur Eliasson "In Our Time" at Palazzo Strozzi is the ground onto which to build a...
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Kim Farkas pursues the Kantian idea of the manifold forming a unity as a concept that leads to pleasure (and...
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A conversation with Berlin-based artist Luzie Meyer on threading bodily presence, disorientation and the formation of selves
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Leaving the world of finance, Claas Reiss has opened a gallery in London focusing on what he dubs "new voices"...
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Stylistic analyses suggest Walter Monich is the author of the Annunciation in Tocco da Casauria, today in the Bargello Museum
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A departure from history’s headlines, a lucid dream of armored giants: a comprehensive essay on the art of Kyle Thurman
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Foulon, Katambayi, Walter, Zahle, Werner: our favorite exhibitions from this year's Brussels Gallery Weekend
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The wisdom of collecting old masters today, explained in four compelling arguments (that we didn't already know)
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The compelling analysis of a late 13th century painted crucifix, with its shifting attributions and historical relevance
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What we enjoyed the most at June Art Fair, the youngest and most up-and-coming fair to populate the Art Basel...
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Four highlights from this year's edition of Liste, Basel's great historical fair for emerging artists and galleries
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Between different attributions, owners, and interpretations, we tell the troubled story of the carved Apollo by Antonio Minello
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