Luzie Meyer: a desire to acquire, to multiply oneselfby Céline MathieuA conversation with Berlin-based artist Luzie Meyer on threading bodily presence, disorientation and the formation of selves
New voices in painting: an interview with gallerist Claas Reissby CFALeaving the world of finance, Claas Reiss has opened a gallery in London focusing on what he dubs "new voices" in international painting
Walter Monich: from Milan’s Duomo to Angevin Abruzzoby Luca Siracusano (from Nuovi Studi 26, 2021 anno XXVI)Stylistic analyses suggest Walter Monich is the author of the Annunciation in Tocco da Casauria, today in the Bargello Museum
Kyle Thurman: beyond the night’s philosophyby John BelknapA departure from history’s headlines, a lucid dream of armored giants: a comprehensive essay on the art of Kyle Thurman
Brussels Gallery Weekend 2022: five top solo exhibitionsby CFA (from Brussels)Foulon, Katambayi, Walter, Zahle, Werner: our favorite exhibitions from this year's Brussels Gallery Weekend
Is it really the time to buy old masters?by Stefano PirovanoThe wisdom of collecting old masters today, explained in four compelling arguments (that we didn't already know)
A painter from Umbria or Marche, a quasi-Rinaldo di Ranuccioby Angelo TartuferiThe compelling analysis of a late 13th century painted crucifix, with its shifting attributions and historical relevance
Four picks from June Art Fair 2022by CFA (from Basel)What we enjoyed the most at June Art Fair, the youngest and most up-and-coming fair to populate the Art Basel week
Four picks from Liste 2022by CFA (from Basel)Four highlights from this year's edition of Liste, Basel's great historical fair for emerging artists and galleries
Private Renaissance: Antonio Minello’s Apolloby Andrea BacchiBetween different attributions, owners, and interpretations, we tell the troubled story of the carved Apollo by Antonio Minello
