From MAN in Nuoro to Artissima: an interview with Luigi Fassiby CFA (from Turin)Luigi Fassi is the new director of Artissima, the contemporary art fair that promises to bring art's future to Turin
Six highlights from Paris Internationale 2022by CFA (from Paris)Here are our picks from the eighth edition of Paris Internationale, one of the biggest and most ambitious yet
Three stages of image reificationby Sofia SilvaA personal introduction to the art of Daniel Graham Loxton, Matthew Peers, and Jens Fröberg
A history of light in Renaissance art through Olafur Eliassonby Arturo GalansinoThe current show of Olafur Eliasson "In Our Time" at Palazzo Strozzi is the ground onto which to build a history of light in the Renaissance
On Kim Farkas’ vesical sculpturesby Stefano PirovanoKim Farkas pursues the Kantian idea of the manifold forming a unity as a concept that leads to pleasure (and the first edition of Paris +)
Luzie Meyer: a desire to acquire, to multiply oneselfby Céline MathieuA conversation with Berlin-based artist Luzie Meyer on threading bodily presence, disorientation and the formation of selves
New voices in painting: an interview with gallerist Claas Reissby CFALeaving the world of finance, Claas Reiss has opened a gallery in London focusing on what he dubs "new voices" in international painting
Walter Monich: from Milan’s Duomo to Angevin Abruzzoby Luca Siracusano (from Nuovi Studi 26, 2021 anno XXVI)Stylistic analyses suggest Walter Monich is the author of the Annunciation in Tocco da Casauria, today in the Bargello Museum
Kyle Thurman: beyond the night’s philosophyby John BelknapA departure from history’s headlines, a lucid dream of armored giants: a comprehensive essay on the art of Kyle Thurman
Brussels Gallery Weekend 2022: five top solo exhibitionsby CFA (from Brussels)Foulon, Katambayi, Walter, Zahle, Werner: our favorite exhibitions from this year's Brussels Gallery Weekend
