The practice of Amy O’Neill moves according to a politics of the residual; costumes, masks, reversed parades are what remains...
ContinueOn the occasion of the 2025 Zurich Art Weekend, we interviewed Ann Demeester, who brought the Kunstmuseum back into the...
ContinueWe sat down with Ashleigh Mclean to discuss how to get free from the stereotypes about African art and its...
ContinueYoung-jun Tak responds to six words that clarify the mentality behind his work's noble simplicity and quiet grandeur.
ContinueViewing Jens Froberg' paintings can be laborious, enjoyable, mediative, arduous, tranquil, strange etc. The more you see: hidden and buried...
ContinueNandi Loaf lures exhibition goers into an arena of participation, which in itself becomes a charged variable for the artist...
ContinueImages by Gökhun Baltacı whisper to one another, creating passages from a story, even though the full narrative remains elusive.
ContinueSuzanne Santoro believes that art must infiltrate complex systems, taking over spaces that exploit the female body to subvert them.
ContinueAgainst the idea that art should be reduced to mere interior decoration, here is a selection of collectors who have...
ContinueAziza Kadyri delves into the fluidity of her origins, transforming memory into a functional emotion.
ContinueJos Amman von Ravensburg: from the cloister of San Bernardo to a new transmontane presence in Milanese painting of the...
ContinueBy painting time Magnus Frederik Clausen suggests a procession of memorable moments, in the course of an ordinary day.
ContinueFederico Cantale works with friendly forms, the result of a rigorous vision that sees in all things their deepest norm.
ContinueConor O'Shea opened SydneySydney in 2016, using the living room to organize exhibitions and encourage exchange and mutual influence.
ContinueJulija Zaharijevic focuses less on what is and more on what could be and thus alienates the perception of the...
ContinueCecco Bravo is dramatic and mysterious, feeding on hallucinatory eccentricity to make the viewer feeling part of the scene.
ContinueWe sat down with Serban Savu, the painter who represented Romania at the Venice Biennale with a huge social polyptych.
ContinueThe oeuvre of the Lombard painter Bernardo Zenale is expanded with some new works and others which have remained on...
ContinueLouis Osmosis contextualizes each element by what is next to it, so as to make interpretation potentially endless
ContinueJasmine Gregory asks us what we really mean to be while anticipating that the answer for some will be a...
ContinueA new attribution to Bernardo Zenale and Jacopino de’ Mottis, who rented a workshop together for working at the city's...
ContinueIn 2024 Liste is about relationships: between man and environment, time and memory, loss and death. Here is our six...
ContinueYou need to know Zurich's background to understand why its Art Weekend is more than just the smartest preface to...
ContinueAndrzej Steinbach invites us to relate to our systems of meaning allocation, so that images can vibrate free and open...
ContinueThe symbols and systems that Monika Emmanuelle Kazi has created to define her work are a guiding point to the artist’s...
ContinueA new attribution to the Master of the Cagnola Madonna, identified by the most recent scholarship as the Lombard artist...
ContinueAlexandru Chira used drawing to build an articulated architecture for signification, intended for spiritual habitation
ContinueKelsey Isaacs reverses the banal glow of a simulated world into bright, meticulous paintings to reflect an increasingly paradoxical reality
ContinueThe stars of Arte Povera portrayed in six documentaries, available for streaming thanks to a review curated in collaboration with...
ContinueHoward Hodgkin approach to collecting had nothing to do with art history. What mattered to him was how each piece...
ContinueIn an attempt to resist the coercion of style, Gritli Faulhaber discusses painting through painting to rethink the medium's history
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