Through photographs and sculptures, Kelly Tissot channels the spectres of life in what she terms “the abandon promise of the...
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An analysis of a 17th century Venetian Baroque sculpture by Giovanni Comin, which meditates on death and defeats the call...
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Spending time with Angharad Williams’ work raises some questions: how much does an artwork exist? What are the politics of...
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Luigi Fassi is the new director of Artissima, the contemporary art fair that promises to bring art's future to Turin
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Here are our picks from the eighth edition of Paris Internationale, one of the biggest and most ambitious yet
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A personal introduction to the art of Daniel Graham Loxton, Matthew Peers, and Jens Fröberg
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The current show of Olafur Eliasson "In Our Time" at Palazzo Strozzi is the ground onto which to build a...
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Kim Farkas pursues the Kantian idea of the manifold forming a unity as a concept that leads to pleasure (and...
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A conversation with Berlin-based artist Luzie Meyer on threading bodily presence, disorientation and the formation of selves
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Leaving the world of finance, Claas Reiss has opened a gallery in London focusing on what he dubs "new voices"...
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Stylistic analyses suggest Walter Monich is the author of the Annunciation in Tocco da Casauria, today in the Bargello Museum
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A departure from history’s headlines, a lucid dream of armored giants: a comprehensive essay on the art of Kyle Thurman
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Foulon, Katambayi, Walter, Zahle, Werner: our favorite exhibitions from this year's Brussels Gallery Weekend
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The wisdom of collecting old masters today, explained in four compelling arguments (that we didn't already know)
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The compelling analysis of a late 13th century painted crucifix, with its shifting attributions and historical relevance
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What we enjoyed the most at June Art Fair, the youngest and most up-and-coming fair to populate the Art Basel...
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Four highlights from this year's edition of Liste, Basel's great historical fair for emerging artists and galleries
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Between different attributions, owners, and interpretations, we tell the troubled story of the carved Apollo by Antonio Minello
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Justin Chance utilises a material structure of dissemination to speak to broader issues of political networks and the power of...
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Born in 2017 from the merger of Hester and Tomorrow, Downs & Ross is a leading gallery focusing on emerging...
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Between the Duchy of Savoy and the Marquisate of Saluzzo: a new proposal for Giacomo Jaquerio in Carmagnola and some...
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We chat with Isabella Ritter, co-founder and co-director with Katharina Schendl of Pristina and Brussels-based gallery LambdaLambdaLambda
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Cassidy Toner stages repeated artistic misfires to better diffuse anxiety, pressure to perform, or the legibility of an artwork
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Three picks from the emerging stratum of the art market, found in the first post-pandemic edition of Art Brussels
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Vera Palme’s work generates a certain gut feeling in the viewer, where gut is the distinct opposite of the German...
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A reflection on the art of Julien Carreyn, whose small-scale paintings and photographs seduce you to come close, very close...
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Somehow staged and performed, yet down-to-reality, the art of Niklas Taleb presents his private sphere without an annoying sense of...
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On the youth of Andrea Mantegna, between the page and the stone, in the demystification of the antiquarian obsession
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Reflective things absorbing light and soft surroundings: an open-ended reading of the work of Hélène Fauquet
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We talk to Crèvecoeur's cofounder and director Alix Dionot-Morani, learning how the hip Paris gallery works for its artists and...
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Tõnis Vint is one of the pioneers of the post-World War II period. His art practice changed significantly the Estonian...
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