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"Latest art history"

A Spanish copper by Bartolomeo Cavarozziby Giuseppe Porzio (from Nuovi Studi 26, 2021 anno XXVI)A hitherto anonymous and unpublished copper painting offers new evidence of Bartolomeo Cavarozzi's stay in Spain

The sleeping enigma of the Arundel Pietà by Cosimo Rosselliby Davide Civettini (from Nuovi Studi 26, 2021 anno XXVI)In the castle of the Dukes of Norfolk, one of the greatest enigmas of the Florentine Quattrocento lives: a Pietà attributed to Cosimo Rosselli

Why would the rich showcase the poor: the art of Giacomo Cerutiby Roberta D’Adda & Enrico Valseriati The 18th century depictions of the poor by Giacomo Ceruti was extensively collected and displayed by the nobles in Brescia. Here is why

Failed sales and bizarre manners: two paintings by Paolo Paganiby Paola Apreda & Odette D’Albo
(from Nuovi Studi 26, 2021 anno XXVI)Far from their birthplace and distant from their context, the strange destiny of two Baroque paintings would strike a chord with their maker

The suicide of an ancient politician in a Lorenzo De Ferrari paintingby Piero Boccardo (from Nuovi Studi 26, 2021 anno XXVI)Misunderstood multiple times, a painting in the Royal Palace of Turin is recognized as Lorenzo De Ferrari depicting Themistocles's suicide

Is tragedy timeless? The contemporaneity of Roger-Edgar Gilletby Sofia SilvaThe self-exile of Roger-Edgar Gillet from Art Informel to pursue figuration soaked in tragedy has stood the test of time

A poet praised for his silence: Girolamo Casio painted by Boltraffioby Cristina Quattrini (from Nuovi Studi 26, 2021 anno XXVI)A new interpretation of the “Allegory of Girolamo Casio” by Boltraffio, which celebrated the poet’s gift for silence and loyalty to the Medici

The story of the Demidoff Triptychby Alberto LenzaAnalysis, collecting history and attributive hypotheses regarding a vibrant triptych whose mysterious author today is no other than the Master of the Demidoff Triptych

Giovanni Comin’s Putto with a Skull and a Bookby Maichol ClementeAn analysis of a 17th century Venetian Baroque sculpture by Giovanni Comin, which meditates on death and defeats the call to worldly goods

A history of light in Renaissance art through Olafur Eliassonby Arturo GalansinoThe current show of Olafur Eliasson "In Our Time" at Palazzo Strozzi is the ground onto which to build a history of light in the Renaissance

Currently browsing section:"Latest art history"

Currently browsing section:
"Latest art history"