The artistic fate of the windby Silvia TomasiOver the centuries, the wind has always been an iconographic presence for artists, touching upon fate, religion, chaos, love, and nature
Estrid Lutz and rootless cyberpunks todayby Piero BiselloEstrid Lutz's dislike for finishedness, common beauty and constrains makes her a kin to previous renovators of punk attitudes (and surfers)
Vilnius CAC: an interview with the director Kestutis Kuizinasby Denis MaksimovFrom palace of culture to contemporary art centre, from Soviet art festival to Baltic Triennial: an interview with CAC director Kestutis Kuizinas
On Giulio Romano’s tableware designsby Esme GarlakeTableware designed by Giulio Romano invites us to re-consider the false binary between works of art and functional objects.
Joseph Yoakum and adventurous factsby Sophie VarinJoseph Yoakum has us going between the mundane quality of things in front of us and the extra-ordinary quality of their reasons in the world
Paolo Pagani and the marvels of transformationby Antonio CarnevaleBetween failed aristocratic ambition and ungraspable styles, Paolo Pagani is the forgotten figure of Italian Baroque painting.
Justine Neuberger: coughing up a strand of angel hairby Céline MathieuPreferring her goofier, odder doodles, Justine Neuberger develops her swirly figures. "And then there is what the paint wants to do."
Latifa Echakhch and seeing things as if they’re vibrating (an interview)by Haseeb AhmedLatifa Echakhch on her upcoming pavilion at the Venice Biennale, her recent inclusion in the Swiss Institute board, and intimate artwork
Symbol by symbol, dust piles upby Silvia TomasiRead about artists' obsession with dust, from enigmatic depictions in 16th and 17th century painting to post-war imagery and symbols
Sofía Hernández Chong Cuy and the Kunstinstituut Melly (an interview)by Sofia DatiFollowing the Name Change Initiative launched by Sofía Hernández Chong Cuy, Kunstinstituut Melly embarks on a new trajectory
