Paolo Pagani and the marvels of transformationby Antonio CarnevaleBetween failed aristocratic ambition and ungraspable styles, Paolo Pagani is the forgotten figure of Italian Baroque painting.
Justine Neuberger: coughing up a strand of angel hairby Céline MathieuPreferring her goofier, odder doodles, Justine Neuberger develops her swirly figures. "And then there is what the paint wants to do."
Latifa Echakhch and seeing things as if they’re vibrating (an interview)by Haseeb AhmedLatifa Echakhch on her upcoming pavilion at the Venice Biennale, her recent inclusion in the Swiss Institute board, and intimate artwork
Symbol by symbol, dust piles upby Silvia TomasiRead about artists' obsession with dust, from enigmatic depictions in 16th and 17th century painting to post-war imagery and symbols
Sofía Hernández Chong Cuy and the Kunstinstituut Melly (an interview)by Sofia DatiFollowing the Name Change Initiative launched by Sofía Hernández Chong Cuy, Kunstinstituut Melly embarks on a new trajectory
Every ticket wins: hyperpositivity in the work of Elif Saydamby Miriam BettinElif Saydam’s references are literal but overstimulating. The overflow of information makes you at times dizzy—and tired
Josefine Reisch: if history is a stageby Veronica GisondiJosefine Reisch and not letting yourself "become part of the killer story." An essay inspired by the carrier bag theory of Ursula K. Le Guin
Death helps life in the anatomical theatreby Silvia TomasiAnatomical theatres were the literal and metaphorical houses of anthropocentrism. Are they resuscitating today?
Denicolai & Provoost and six artist comicsby Piero BiselloWhat are artist comics really? A selection of six best examples from the collection of Belgian artist duo Denicolai & Provoost
Larissa De Jesús Negrón’s path to enlightenmentby Veronica Gisondi"Things tend to build up and then you’re left with a bunch of anxiety and jealousy that you don’t understand." On Larissa De Jesús Negrón
