Authentic or not? A brief guide, inspired by Liubov Popova and the LudwigScientific analysis can spot fakes, but only up to a certain point. It needs a rigorous and transparent process.
Bart van der Heide and the Museion of tomorrowWe talked to director of Museion Bart van der Heide, discussing social identity, (sustainable) tourism, and no longer emerging artists.
Laurence Sturla: an empirical turn of eventsBetween cigarette breaks and fleeting memories, we look at the ceramics of Vienna-based artist Laurence Sturla.
Huang Yu and the multiplicity of Chinese art scenesWe interviewed Huang Yu, Chinese art collector and co-founder of Art Chengdu International Contemporary Art Fair, to learn how he turned a business into a feeling.
Sketches of revolution: back to Zurich’s Strauhof in the 1970sFrom the show at the Strauhof in Zurich that chronicled the genesis of Swiss counter-culture, here is a chronology of its most important steps.
Ambiguity of time and space in Wang Zhibo’s paintingWith her ‘anthropologist’ approach of collecting quotidian fragments of life Wang Zhibo believes in the pleasure and ineffability of art.
Emerging artists to watch: Willa WassermanWilla Wasserman's work is inscribed in the phantasmatic possibilities of painting, in between contemplation and rejection of tradition.
Sandro Botticelli: portraiture as a lost paradiseBotticelli's portraits bring us to the golden age of his life, preluding his dramatic fall into debts and oblivion.
Margaret Lee: What You See Is What You MeanThinking through Margaret Lee’s recent paintings in light of the compound visual language the artist has been developing over the past decade.
Luca Giordano, Fapresto, Famolto, ProteoRibera, Caravaggio, Rubens, Dürer, Veronese and Titian revive in the art of Luca Giordano, turned into elements for a new painting style.
