June 19, 2019 When Marcel Duchamp explained how a ready-made is to be madeHere is a transcription and English version of the letter by which Marcel Duchamp founded the 'ready-made' practice. It all started as a gift to his sister Suzanne.
June 18, 2019 The Depot of Boijmans Van Beuningen and its initiator Sjarel Ex (an interview)Sjarel Ex of Museum Boijmans Van Beuningen talks about what promises to change the future of museums, opening them to collectors given certain conditions.
June 12, 2019 An interview with Nadia SamdaniNadia Samdani and her husband Rajeeb are some of Bangladesh top art philanthropists and collectors. We asked about their past, present, and future projects.
June 10, 2019 Opavivará: Pro Concordia LaborOpavivará turns the experience of art into the work of art, for questioning our needs as human beings. Even if these needs are rarely what they seem.
June 6, 2019 Heinz Frank and his metaphorical self-portraitsWe provide with an overview of rediscovered Viennese artist Heinz Frank, a true contemporary master that defies art history and trends.
June 4, 2019 Milan: the majestic Room of Grechetto and its uncertain futureA show brings the Orpheus Cycle, long attributed to Grechetto, to Palazzo Reale. But a book* casts doubt on the future of this masterpiece.
May 30, 2019 Zoe Williams, from the Riva Tunnel to the Sunday fantasyWith a new film Zoe Williams explores secret fantasies and forgotten desires. But the core of the matter is the artist's ability to shape imagination (with her hands).
May 27, 2019 Verrocchio and his workshop: a lesson for the future of the arts'Verrocchio master of Leonardo', the first show dedicated to Da Vinci's mentor, asks a crucial question: is art to be studied or learned by practice?
May 2, 2019 Roman Stanczak, a flight from VeniceWe met Roman Stanczak, the artist representing Poland at the 58th Venice Biennale. He turned an aircraft inside-out, for talking about our soul.
April 26, 2019 Haseeb Ahmed on Luigi Russolo FuturistaWe sat with research-oriented artist Haseeb Ahmed to talk about Luigi Russolo's The Revolt, a painting that bears formal and conceptual similarities with his practice.
