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Mapping the art-scape

Reports, analysis, trends and reviews. In this section we offer our selection of museum and gallery events as well as individual examples of art. To be absolutely comprehensive is not our aim. On the contrary, we want to offer a broadly oriented itinerary through the many contingent aspects of the art-world, the market included.

Interviews and dialogues

We interact with artists, collectors and intellectuals to find out more about their interests and motivations. This will help to create a broader contextual understanding for the selection, display and dissemination of art today.

To be discovered

Here is where we present the most promising contemporary talents and to re-engage with the most established artists from past and present. Our unique approach to discussing and presenting art, through acknowledging the inter-relationship of past and present, allows us to go beyond the simple reviewing of a show.

At the show with the artist

We ask contemporary artists to visit a museum or an exhibition and to express their personal point of view. Without lacking respect for an academic interpretation of the history of art, we believe that the sometimes eccentric or singular perspective given by a living artist on certain works of art can extend their meaning, thus offering unique and unexpected readings.

A-Z INDEX

TIMETABLE

NEWSLETTER

Founded in May 2015, Conceptual Fine Arts is a online platform for art writing. It investigates into the various aspects of contemporary art and art from the past centuries with a common belief that the present is informed by the past and the past remains opened to understanding. The platform is available both in English and Italian. Conceptual Fine Arts is currently supported by a body of patrons.

founder and managing editor:

Stefano Pirovano

writings by:

Piero Bisello | Maria do Carmo M. P. de Pontes | Antonio Carnevale | Stamatia Dimitrakopoulos | Marta Galli | Geoff Hands | Paul Laster | Gianluca Poldi | Carlo Prada | Gianluigi Ricuperati | Jasmina Trifoni

CFAlive gallery programme:

Greta Scarpa

 research and translations:

Alessandra Marelli

powered by:

Mauro Fioravanzi

Patrons

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Conceptual Fine Arts is independent from art galleries and auction houses. The platform is made possible by the kind support of its patrons.

Currently our Patrons are:

AVM Associati | Collezione Giuseppe Iannaccone | Philippe Model | Collezione Marco Rezzonico | Collezione Roberto Spada

Other patrons prefer to stay anonymous.

CFAlive | gallery residency programme

In response to the changing needs of today’s global art market, and stemming from Conceptual Fine Arts magazine’s narrative, CFAlive is a unique programme offering international art galleries a solution to spend an extended period of time in Milan. CFAlive fosters an experimental approach for expanding the gallery’s vision into a highly diversified environment.

For more info write to greta@conceptualfinearts.com

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December 6, 2018
Collector Grazyna Kulczyk reveals her new Muzeum Susch (an interview)We have been to Engadin to preview the new Grazyna Kulczyk' museum, opening on January the 2nd. And we took the chance to ask her insight about the project.

December 3, 2018
How do we choose when it comes to buy art?The eye is fundamental, yet not enough. To buy art implies a complex cognitive action whose real objective is actually the understanding of the artist himself.

November 27, 2018
Laura Lima and the art of political suspension (an interview)After the successful show at Fondazione Prada and in preparation to her busy 2019 we sat down with artist Laura Lima to talk about art and politics.

November 14, 2018
In preparation for Jill Mulleady’s debut at Galerie NeuFirst solo show of Jill Mulleady at Neu marks a decisive step forward in her career. We sat down with the artist to better understand how her painting is evolving.

November 9, 2018
The top ten art biopicsOur selection of art biopics follows up the list of art movies that we published a few months ago. But this new one calls for rainy afternoons...

November 2, 2018
B. Wurtz: how to rule over readymades and help art students (an interview)On occasion of his New York's Public Art Fund commission, B. Wurtz sheds some light on his interpretation of the score Duchamp wrote almost 100 years ago.

October 30, 2018
Balthus: Beyeler honors Klossowski the youngerHe loved castles, cats, the East and, above all, painting. That's why he insisted art critics to write about his works, and not about him. But know the Beyeler thinks the time has come to go back to Balthus Klossowski.

October 24, 2018
Rediscovering the Mediterranean: finally a show from an European perspectiveAn exhibition at the Fundacion MAPFRE in Madrid puts side by side European figurative artists from the short 20th century. The whole is greater than the sum of its parts.

October 19, 2018
Paris Internationale 2018: the non-art-fairIt could have been a disaster, on the contrary it has improved year after year. The fourth edition of Paris Internationale marks an important step forward in the evolution of what is more and more difficult to simply call 'art fair'.

October 18, 2018
With regard to Sam Falls’ recent works about time and natureSam Falls' first solo show at 303 Gallery in New York puts the Californian artist into the sight of masters of abstract art such as Jackson Pollock and Yves Klein. But he never stops thinking about the future.

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