At the tender edge of violence: Fin Simonettiby Veronica GisondiSpaces of worship constitute a fruitful field of inquiry for Fin Simonetti due to their symbolic value and particular function, that is, of public places that harbour and feed collective beliefs
At the show with artist: Elena Ricci encounters Frans Masereelby Elena Ricci*Frans Masereel presents us with an intensely personal vision of life. It is a vision which shows an understanding of each aspect of humanity, in which both the highest and lowest levels form part of a whole.
The artistic fate of the windby Silvia TomasiOver the centuries, the wind has always been an iconographic presence for artists, touching upon fate, religion, chaos, love, and nature
Estrid Lutz and rootless cyberpunks todayby Piero BiselloEstrid Lutz's dislike for finishedness, common beauty and constrains makes her a kin to previous renovators of punk attitudes (and surfers)
Vilnius CAC: an interview with the director Kestutis Kuizinasby Denis MaksimovFrom palace of culture to contemporary art centre, from Soviet art festival to Baltic Triennial: an interview with CAC director Kestutis Kuizinas
On Giulio Romano’s tableware designsby Esme GarlakeTableware designed by Giulio Romano invites us to re-consider the false binary between works of art and functional objects.
Joseph Yoakum and adventurous factsby Sophie VarinJoseph Yoakum has us going between the mundane quality of things in front of us and the extra-ordinary quality of their reasons in the world
Paolo Pagani and the marvels of transformationby Antonio CarnevaleBetween failed aristocratic ambition and ungraspable styles, Paolo Pagani is the forgotten figure of Italian Baroque painting.
Justine Neuberger: coughing up a strand of angel hairby Céline MathieuPreferring her goofier, odder doodles, Justine Neuberger develops her swirly figures. "And then there is what the paint wants to do."
Latifa Echakhch and seeing things as if they’re vibrating (an interview)by Haseeb AhmedLatifa Echakhch on her upcoming pavilion at the Venice Biennale, her recent inclusion in the Swiss Institute board, and intimate artwork
