Francesco Clemente, iconology of “il mio corpo è rosso per formaggio”Francesco Clemente painted 'Il mio corpo è rosso per formaggio' around 1980, the year of his first participation in the Venice Biennale and his first exhibitions in New York. Let's discover the work in its details and understand some of its hidden messages.
No leap is ever into the voidA saga of artist jumps through the work of Hsieh, Mureșan, de Dominicis, Perrone, in the wake of Yves Klein's famous leap into the void.
At the show with the artist: Gabriel Kuri on Lucio FontanaAn exchange with Gabriel Kuri on Lucio Fontana's "Ambiente Spaziale," exploring the boundaries of installation and sculpture in both artists' work.
Who says crises foster creativity?For those who still believe that suffering yields good art, we show that plagues, wars, and oppression have never been the engines of creativity.
Jaanus Samma, the many gay histories of Modern Eastern EuropeEmerging artist Jaanus Samma deals with stories of homosexuality in his home country of Estonia, both under the Communist regime and after its collapse.
An open letter to Italian museums: the web is your vaccineMedia dilettantism and digital ignorance can harm Italian museums, which should be aware of their cultural role in society and play it with rigour.
Emerging artists to watch: Kaoru Arima and his facial (un)recognitionKaoru Arima's pictures of faces are paintings for an alternative, straightforward portraiture: romanticism no more; agendas no more; ego no more.
Emmanuel Nassar: art is the illegal exercise of all the professionsWe sat down with Brazilian Pop master Emmanuel Nassar to talk about art, symbols, advertising, and the importance of visiting Europe.
Velázquez and why even masterpieces need titlesLa Meninas is Velázquez's most famous masterpiece. However, another of his paintings shows us how words can change our view on artworks.
Daniele Milvio: twenty ink drawingsConceptual Fine Arts and Galleria Federico Vavassori present twenty previously unpublished works by Daniele Milvio, executed between 2012 and 2013 when the artist returns to Italy after a long experience abroad.
