Conceptual Fine Arts | Page 2 of 87 | We are a curated non profit platform which creates, contextualises and broadcasts art papers and exhibitions. We investigates the various aspects of contemporary art and art from the past centuries with a common belief that the present is informed by the past and the past remains open to understanding.

Emmanuel Nassar: art is the illegal exercise of all the professionsWe sat down with Brazilian Pop master Emmanuel Nassar to talk about art, symbols, advertising, and the importance of visiting Europe.

Velázquez and why even masterpieces need titlesLa Meninas is Velázquez's most famous masterpiece. However, another of his paintings shows us how words can change our view on artworks.

Daniele Milvio: twenty ink drawingsConceptual Fine Arts and Galleria Federico Vavassori present twenty previously unpublished works by Daniele Milvio, executed between 2012 and 2013 when the artist returns to Italy after a long experience abroad.

Emerging artists to watch: Matthieu HaberardAnything can happen on the threshold, like Matthieu Haberard's practice, an innocent game of fairy tales, an adventurous story of feats and misfortunes.

From Victoria Colmegna to Victoria ColmegnaA short story of how Victoria Colmegna's lightness, shyness, esotericism and nostalgia remind us that the longest journey is the one within ourselves.

Five self-portraits at the time of surveillance capitalismWhat takes you from facial recognition algorithms to a museum of ancient art? The hope of finding an antidote to big data.

From grades to tales: how Pop Art undermined the art writerA brief, documented history of how Pop art changed art writing, including a few philosophical ideas for the art writer ot today.

Sylvain Bellenger on the online future of museumsAn Interview: Sylvain Bellenger, director of Capodimonte, takes stock of the current situation and predicts the digital future of museums.

Culture will save the art market, not a viewing roomOnline art fairs still have to find their way. Galleries are suffering. But focusing on culture might be the key to recover the art market.

Global Cows 2020A collaboration with Brussels-based gallery Damien & The Love Guru, Global Cows 2020 presents a double digital fresco companion to the fresco secco painted one year ago in Brussels by Vanessa Disler, Tiziana La Melia, Nina Royle, Lucy Stein and Charlott Weise. The show is accompanied by a new text by Sonia D’Alto.

ONLINE EXHIBITION

Francesco Clemente, iconology of “il mio corpo è rosso per formaggio”