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"Latest art history"

The immaculateness of Andrea Mantegna

by Sofia Silva

On the youth of Andrea Mantegna, between the page and the stone, in the demystification of the antiquarian obsession

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Tõnis Vint and the search for the universal visual language

by Elnara Taidre

Tõnis Vint is one of the pioneers of the post-World War II period. His art practice changed significantly the Estonian...

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Guariento di Arpo

Guariento di Arpo relaxes perfection

by Sofia Silva

Guariento di Arpo's response to the authority of his Padua predecessor Giotto is one where grace blends with Gothic style...

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Evolution of a quasi-movement

by Stefano Pirovano

We look at a quasi-group of thirteen artists and what has kept them together in the last five years, rising...

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Defendente Ferrari, Sant’Ivo con due devoti, 1515 circa. Tecnica mista su tavola. Torino, Palazzo Madama – Museo Civico d’Arte Antica

Defendente Ferrari: escape from the Renaissance

by Silvia Tomasi

Defendente Ferrari keenly sought refuge in dreams during an era that instead celebrated the triumph of reality.

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Ottaviano Nelli

Ottaviano Nelli the rough

by Antonio Carnevale

Here is an introduction to Ottaviano Nelli, the late Gothic painter from Gubbio who was famous for his rough mix...

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Sandro_Botticelli Simonetta Vespucci

Hair air style from Middle Age to Botticelli

by Silvia Tomasi

Hair colour had a moral significance, the hairstyle a message of seduction or betrayal. And each hair became a story

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Francesca Bertini

Italian silent film divas in their photographic postcards

by Esme Garlake

Many ordinary women saw Italian silent film divas as influences on daily dress and behaviour; much of this came from...

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liberale-da-verona_eolo

The artistic fate of the wind

by Silvia Tomasi

Over the centuries, the wind has always been an iconographic presence for artists, touching upon fate, religion, chaos, love, and...

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On Giulio Romano’s tableware designs

by Esme Garlake

Tableware designed by Giulio Romano invites us to re-consider the false binary between works of art and functional objects.

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Joseph Yoakum and adventurous facts

by Sophie Varin

Joseph Yoakum has us going between the mundane quality of things in front of us and the extra-ordinary quality of...

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Paolo Pagani and the marvels of transformation

by Antonio Carnevale

Between failed aristocratic ambition and ungraspable styles, Paolo Pagani is the forgotten figure of Italian Baroque painting.

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Jeff Koons, “New Hoover Deluxe Shampoo Polishers

Symbol by symbol, dust piles up

by Silvia Tomasi

Read about artists' obsession with dust, from enigmatic depictions in 16th and 17th century painting to post-war imagery and symbols

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Death helps life in the anatomical theatre

by Silvia Tomasi

Anatomical theatres were the literal and metaphorical houses of anthropocentrism. Are they resuscitating today?

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Luca Pacioli Summa

Luca Pacioli and the mathematical Renaissance

by Antonio Carnevale

The Renaissance mathematician Luca Pacioli is the crystalline symbol of his shattered dream: an orderly word expressed in numbers

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Horace Pippin is a misunderstood realist

by Sofia Silva

Labels such as "primitive," "naive," and "folk" can conceal prejudice and racism. Horace Pippin was a realist instead

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To the zodiac and back

by Silvia Tomasi

Phaethon changes sex, the gods are sick, the Earth is burned, the seas are drained: the zodiac is all these...

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Carlo Crivelli

The annoying fly and symbolic paintings

by Silvia Tomasi

Flies buzz around a few Renaissance, Netherlandish and Baroque paintings, full of jokes, meanings, and hellish symbolism

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Page composed by hand in Tallone font

The typographic utopia of Tallone Editore

by Antonio Carnevale

A journey to the printing atelier of Tallone Editore, where a Renaissance approach to publishing mix with the present

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