Timetable

Top 10 artist websites

Honoré de Balzac’s Frenhofer and his Unknown Masterpiece

Joanna Kamm on the present of emerging art (an interview)

Lucy Stein: Digitalis purpurea, a re(in)trospective

To be discovered: five unusual Renaissance pictures of wild animals

Peter Saul and the importance of having a salary (an interview)

Global monotone of Lombardy (an online exhibition)

Kengné Téguia’s concentric circles

Disclosure & Disbelief: Kaloki Nyamai at the Stellenbosch Triennale

Lucas Blalock: a criminal, a lover, an old man, a policeman, an artist, a spy, a nice guy

Scholar and art collector Sultan Sooud Al Qassemi, an interview

Renata Boero by Paolo Fossati (anno 1977)

Do I still have to call it art magazine?

Closer to Van Eyck with Bart Fransen & VERONA project

A chat with Michael Callies, founder of dépendance

Hanna-Maria Hammari: when nature leads elsewhere

Michael Portnoy, improves

James Bradburne and the anthropological revolution of Brera

Sophie Varin reads Thomas Pynchon

What to see in Como? The marvel of Romanesque architecture

Swallow The Spirit: Michaela Eichwald at dépendance

A Portrait of Than Hussein Clark

Nora Turato: Proustian interview with afterword

Lorenza Longhi, a turbulence in the realm of perfection

The “Free Work” of Karel Martens

Grand contemporary pictorial cycles: an open survey

Five of the best European artist books publishers

Neo Rauch: ‘A painting should be more intelligent than its painter’

When Marcel Duchamp explained how a ready-made is to be made

Heinz Frank and his metaphorical self-portraits

Milan: the majestic Room of Grechetto and its uncertain future

Zoe Williams, from the Riva Tunnel to the Sunday fantasy

Verrocchio and his workshop: a lesson for the future of the arts

Haseeb Ahmed on Luigi Russolo Futurista

Margherita Moscardini reveals where sustainable art can be found

At the Met with Silvio Wolf, from Tintoretto to Baselitz

Walter Pfeiffer, an interview with the pioneer of queer photography

Visiting Ibrahim Mahama, in Tamale

Emerging artists to watch: Srijon Chowdhury and his dark positivity

Cleo Fariselli, dominant chords

Le Corbusier at home

Walking with Pauł Sochacki the thin line between humor and politics

Maxwell Alexandre: rising of a Brazilian idol

Three writings on Jannis Marwitz

Gian Giacomo Poldi Pezzoli: a call from the past

Is Muntean/Rosenblum the Instagram’s forerunner?

Paul Éluard: love, brotherhood, kindness and… Le Cirque!

Sanam Khatibi, from objects to order

The 7 books every art collector should read

Jan Domicz meets Jean Prouvé

Milan: Museo Archeologico predicts new Museo Etrusco

Concerning Berenice Olmedo’s brutal idealism

A tribute to Enrico Crispolti’s intellectual legacy

Grazyna Kulczyk reveals her new Muzeum Susch (an interview)

How do we choose when it comes to buying art?

Laura Lima and the art of political suspension (an interview)

In preparation for the debut of Jill Mulleady at Galerie Neu