Chalisée Naamani's painterly installations expose what surrounds her today: the fashion-of-the-day that is not necessarily fashionable.
ContinueDigital old masters are a thing now more than ever, but much is still to be learned. We look at...
ContinueWe interpreted the paintings of Giangiacomo Rossetti with the help of their author and a fundamental exhibition in New York
ContinueOff the beaten paths, we embark on a journey to the theaters in Polesine, a forgotten part of Italy dear...
ContinueOn Sophie Gogl's love for turns, seeking what's behind her gimmicks and reaching the top of the pyramid of needs
ContinueOur selection of six best antique book dealers, spanning different locations, specializations, approaches and histories
ContinueBy turning the countryside into a creative frontier Patrick Weldé finds a powerful antidote to urban clichés and fashion disillusionment
ContinueIs MACAAL the ultimate contemporary art museum on the African Continent? An interview with its director Othman Lazraq sheds some...
ContinueOriginally from Tbilisi and now in Berlin, Keto Logua takes botany, petals and sexes to speak of multiplicity, ambiguity, and...
ContinueA brief overview of late Belgian artist Jef Geys, spanning key projects, approaches, methodologies, and complexities
ContinueFirst recorded in 15th century Italy, tarot cards have reached today's collections following strange paths and through a few discoveries.
ContinueA few weeks after his passing, we delve into Herman Daled's seminal involvement with art, an engagement that went much...
ContinueNiche within a niche, ancient books from the Renaissance are very much alive today, torn between objects of fetish and...
ContinueWe talk to Nav Haq, associate director of the Museum of Contemporary Art in Antwerp M HKA, discussing monocultures and...
ContinueScientific analysis can spot fakes, but only up to a certain point. It needs a rigorous and transparent process.
ContinueWe talked to director of Museion Bart van der Heide, discussing social identity, (sustainable) tourism, and no longer emerging artists.
ContinueBetween cigarette breaks and fleeting memories, we look at the ceramics of Vienna-based artist Laurence Sturla.
ContinueWe interviewed Huang Yu, Chinese art collector and co-founder of Art Chengdu International Contemporary Art Fair, to learn how he...
ContinueFrom the show at the Strauhof in Zurich that chronicled the genesis of Swiss counter-culture, here is a chronology of...
ContinueWith her ‘anthropologist’ approach of collecting quotidian fragments of life Wang Zhibo believes in the pleasure and ineffability of art.
ContinueWilla Wasserman's work is inscribed in the phantasmatic possibilities of painting, in between contemplation and rejection of tradition.
ContinueBotticelli's portraits bring us to the golden age of his life, preluding his dramatic fall into debts and oblivion.
ContinueThinking through Margaret Lee’s recent paintings in light of the compound visual language the artist has been developing over the...
ContinueRibera, Caravaggio, Rubens, Dürer, Veronese and Titian revive in the art of Luca Giordano, turned into elements for a new...
ContinueWe sat down with Evan Chow, third generation collector, trustee of the New Museum and member of the Cercle International...
ContinueAn essay about artist Emanuele Marcuccio, dealing with the processes from the world and imaginary of industry.
ContinueWe sat down with art dealer Marco Voena on the eve of the first online Tefaf, trying to understand the...
ContinueAn English translation of Dino Buzzati's text for the first exhibition of Cinzia Ruggeri in 1960, where magic realism meets...
ContinueAna Elisa Egreja has painted interior scenes for twenty years. We talked to her in the midst of a change,...
ContinueAn interview with Lynn Fung, director of the Liang Yi Museum in Hong Kong, the largest private museum in town.
ContinueAn essay about Fernando Marques Penteado after a recent studio visit, showing how everything can be worth contemplating, trifles included.
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